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Join the Circus

Some of you may already be aware of this, but this year I am participating in Grand Rapids’ Artprize competition along with Bethalynne Bajema, Ted Jauw, Kate Jauw, Bethany Greenier, John Hyatt, and Cassie Truskowski, with our combined work CirqueACirca.

We are putting together a work of art nearly the size of two football fields (a very ambitious project for a couple of artists with less than two nickles to rub together). This work will be a huge undertaking to say the least, and will include circus and sideshow performance art, among many many other things.

We hope that it will become a gathering point for steampunks and other like-minded individuals during the competition, in a joint effort with the SteamPig display and several other steampunk exhibits through the vast art competition (over 200,000 visitors last year). Our space will have a lot of room to rest your feet and hang out, and costumed up visitors add the the feel of the piece.

We hope that you will help out by being there September 25th (the main gathering date), or any date between September 22nd through October 10th.

If you would like to more actively participate and help out, there are *MANY* ways to do so – from helping us starving artists to starve a bit less, to easing the strain of gathering materials for this huge project (we hope to use as much recycled material as possible), to lending a physical hand on the build, or just getting the word out for us (because every person you know may know someone interested, or the people they know might know someone interested).

Please link to us in your blogs, facebook accounts, myspace, twitter, or otherwise… because popular makes popular these days, and the more people our message reaches, the greater we can make this event.

Cirque A Circa Poster by Bethalynne BajemaArtists: Those of you with a creative touch to help with painting and set up. It could be anything from plain flat painting to helping with the mural.

Roustabouts: Help during the event. Answer visitors questions, help with merchants/artists needs, etc.

Carnies: Merchants who share our vibe and intent may rent tents to sell wares.

Players: We need people to dress up in a steampunk or circus fashion and just walk around while adding to the vibe!

Buskers: Do you have a fun talent to share? Juggler, stilt-walker, etc.? We have a place for you in Buskers Alley.

Oddities: Do you have a very unusual art to share? We have a place for you to create and show off your talent.

Stowaways: The price for your passage is to help keep our ship clean! We will need people to keep an eye out for loose ties or malfunctions, pick up trash, make sure signage is still in place, etc.

Acts: Looking for acts willing to work with us to develop great shows and have an opportunity to show off your stuff.

And the rest: Did we fail to mention something? Let us know! There is a place for you in our circus!

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Undeath from Above

Undeath fromabove detail 1
Undeath from Above detail 1
Undeath fromabove detail 2
Undeath from Above detail 2
Undeath from Above
Undeath from Above

The original was drawn in pen and ink on 11×14 inch Bristol Board, I did the coloring with my 4-year old Adesso drawing tablet so as to preserve the pen and ink original.

The Black and White version is the Cover for Gatehouse Gazette #14, my third cover for them.

I am making only 20 of these full-sized giclees. Total size with 1? border is about 13×16 inches. They are printed on cotton-weave fine art rag paper in archival pigment inks for the sort of superior clarity and color quality expected from a giclee print.

The giclees are available at a reduced price of $55, HERE

8×10 inch metallic prints are also available, and also at a reduced price ($15), HERE.

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Red Hand Assemblage

Red Hand Assemblage Showing Hand
Red Hand Assemblage

This artwork is three in one.

The box/dual frame: I labored hard for over a week on the box, which is a very sturdy hand-built, hand-stained, hand-varnished, hand-waxed chunk of quality hardwood (heartwood select pine base and birch sides). It not only serves as a box (if you would want to use it as such a thing), but as a self-contained double frame which requires no wall hanging. It is perfect for a coffee table, end table, mantle, dining table or most any flat surface you would like to display it on… and it is so sturdy in construction that you won’t be freaking out if people get near it.

Red Hand Assemblage Showing Both
Red Hand Assemblage Showing Both

The box has two decorative hinges with a decorative patina on the spine edge if it; The latching mechanism is self-made from another smaller version of these hinges, combined with three solid brass model cannons from a model ship. The latch holds the piece securely shut, but opens easily when you want it to with a slight squeeze of the box and an easy flip of the thumb.

Latching Mechanism detail
Latching Mechanism detail

I spent hours and hours and hours buffing and buffing this piece. You may not see the glossiness of it in the picture, but it is pretty shiny.

Open Assemblage Box Frame closed
Red hand Assemblage Box Frame closed (standing, latch side)
Red Hand Assemblage Open
Red Hand Assemblage Open, spider side showing
Open Assemblage Box Frame closed
Red Hand Assemblage Box Frame closed

Sometimes antiquing involves making something look beaten and ratty, sometimes it is a matter of making something look like something of quality kept new by an archivist or generations of enthusiastic caretakers – quality and new as the day it was made. For this particular look, I went with making it look like somewhat well-maintained antique… something once very expensive, polished periodically by its owners – well protected, but also well-used.

This sort of antiquing makes it much more involved than the other two. When I do this sort of antiquing on fresh and new untreated wood, making it look fashionably old is essentially a process of finishing and refinishing it to duplicate what time would do: Creating many stages of maintenance and multiple areas of color to create the look of something old… dark areas near crevices and hard to reach spaces, lighter areas where regular wear might occur.

Open Assemblage Box Frame on its side
Open Assemblage Box Frame on its side

The Art: To make these illustrations mesh well with the box, I made them in this dark-carnival, old Victorian occult ephemera style, with a lot of metaphysical flavor and a touch of campy horror propmaking. It not only made them work well with the box I envisioned, but made them fun for me and strikingly bold… a primitive and stark contrast to my normal reserved and detailed works and my muted color palettes.

Red Right Hand detail
Red Right Hand

Painting One: “Red Right Hand” this is one of two pieces done for a collaborative collection of China Miéville inspired illustrations and artworks, an effort assembled and coordinated by John Straun of SuperPunch. The Handlingers are mind-controlling creatures which look much like a human hand with a snake’s body. I decided on red for my colors because I wanted the hand to be red, and I might it a right hand just so I could name the piece “Red Right Hand”, because I am a huge Nick Cave fan.

Limited Edition Giclees (limited edition of 20) are available in my store

Red Right Hand detail
Red Right Hand detail
Weaving Spiders Come Not Here
Weaving Spiders Come Not Here

Painting Two: “Weaving Spiders Come Not Here”: I often name images for all of the phrases that swim around in my head. I don’t know what it is about soliloquy, sayings, proverbs, historical quotes and other such things that causes them to remain so well-embedded. I start working on a piece, and once he concept is in place, I immediately think of some string of words that fits, though usually a twist thereof. Rarely does the phrase inspire the piece, but the piece typically inspires the title, and the title sometimes shapes the work… this title coming from Shakespeare, or the once-curious reliefs seen outside of Bohemian Clubs. “The Weaver” is a large sentient spider with hands on its forelimbs (I also put them on its Pedipalps), with a love for scissors. The Spider with scissors brought this phrase to mind, so rather than repeating the more circular designs from the previous painting, I made them weave like webs, being cut by the spider.

Limited Edition Giclees (limited edition of 20) are available in my store

Weaving Spiders Come Not Here detail
Weaving Spiders Come Not Here detail
Open View
Open View

SuperPunch: Superpunch.blogspot.com
China Meiville: Rejectamentalist Manifesto

All three works – the dual frame box assemblage, and the two paintings, are available as one piece in the originals section of my store.

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Some Day I Will Never Grow Up

SomeDay I Will Never Grow Up
SomeDay I Will Never Grow Up - Acrylic on Wood Panel Painting by Myke Amend (click for larger view)

The original was painted on a wood panel cabinet I hand-made for the purpose of doing this painting. I’ll be finishing up the cabinet when I return home.. I can’t tell you what I’ll be filling the cabinet with – but when the construct is done, I will have had a lot of fun making things to fill it with.

Though the cabinet is not done, the painting part of it is, and it was lovingly, carefully scanned for truest color and detail, and printed as a giclee for the best, most highly-detailed and most brilliant reproduction quality.

Someday I will Never Grow Up Detail 1
Detail 1
Some Day I will Never Grow Up Detail 2
Detail 2
Some Day I Will Never Grow Up Detail 3
Detail 3

These are printed 12×18 (the original size of the work) on Canvas (for the optimal standard framing size), in archival pigment inks on 200+ year archival quality heavyweight cotton canvas. Each is coated with a UV, moisture, and scratch-resistant coating for added longevity.

25 total will be printed. All giclees on Canvas are shipped stretched and mounted withing the US, or rolled everywhere else (but you can arrange to receive a stretche copy if you wish to work out additional shipping).

Each is hand-signed, hand-numbered, and dated by Myke Amend. Each also comes with a certificate of authenticity. Both the artwork and the certificate have matching serialized holograms affixed to them (front of certificate, back of canvas) for added assurance and to protect the value of your print.

The Giclees on Canvas are available here: 12×18 Giclee on Canvas

***Also Available***

1) a 16×20 OPEN edition SIGNED giclee on fine art rag paper. No guarantee how long they’ll be available, but they are not as limited as the giclees on canvas.

2) a 9×12 metallic print of this same image, also open edition.

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Mach Turtle!

Mach Turtle Detail 1
Mach Turtle Detail 1
Mach Turtle Detail 2
Mach Turtle Detail 2
Mach Turtle Detail 3
Mach Turtle Detail 3
Mach Turtle Detail 4
Mach Turtle Detail 4
Mach Turtle
Mach Turtle

Limited Edition of only 20, printed in archival inks on fine art rag paper.

Printed on fine art rag paper at the exact size of the original pencil drawing – hand-signed, numbered and dated by Myke Amend.

Printed at 11×14 inches on an 18×15 sheet of 200-year archival fine art rag paper in archival pigment inks, each giclee is a long-lasting work of art in its own.

Only 20 prints of the original pencil drawing will be made, ever.

Alice rides a Mock Turtle at high speed along a peppermint lollipop shoreline, followed by the Mad Hatter in his own special-crafted craft.

These images are not made to be exact to the original story, or any movie, but rather to capture and portray the wonder that mythical and magical lands may hold within a child’s imagination.

The need to do my own version of turtle from this story was inspired by stories of turtles being burned at sea. It is sad to think that there are beautiful beaches children may never see, once-beautiful coastal towns no longer what they were, forests burning, parks being bulldozed to make way for sprawl… a beautiful Earth that may someday be nothing more than a story for our children and our children’s children.

I hope that maybe, if we can preserve the wonder and fascination, perhaps future generations will be inspired to dream for what was. And perhaps someday, the most fascinating new thing that a future generation could strive for and dream of, will not come from a Wal-Mart or the Apple Store… but in the restoration of all the beauty, wonder, and freedom we threw away.

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O Frabjous Day

You can tell I am enjoying a piece when I am afraid to go to sleep before finishing it, spraying fixative on it, scanning it, doing pre-press, and proofing it.

O Frabjous Day: Currently Only Available on Etsy – This is a limited Edition of 10, and having learned my lesson with the last limited offer… the one about going to sleep thinking *only a few* might sell before I wake, I decided to put them all in one place – [Here Is The Link] (More Details are below, or over there).

O Frabjous Day - Alice and Wonderland Print by Myke Amend
O Frabjous Day - Alice and Wonderland Print by Myke Amend (click to enlarge)

15×18 inch giclee print (printed area 11×14) on fine art rag from the original pencil sketch by Myke Amend, printed in archival pigment inks to make for a 200+ year archival giclee print.

Each is discretely signed, numbered, and dated by the artist in pencil, within the margin.

This limited edition of 10 was made just because I thought it would be a shame for the image not to be available as a monochromatic print, and for those who really like to collect rarities.

I do plan to make a less-limited edition of this image, which will be digitally colored in full color.

The pencil drawing was done as a commission for friend, Violet Ash in June of 2010, a part of a small set of pencil commissions I offered up to raise gas money to the World Steam Expo.

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Smog is Awesome

Images from the World of Smog, via SuperPunch, wherein many more of the new figures from this utterly amazing and imaginative collection are featured HERE.

I’ve seen items from this collection many times in many art forums, and every time, I see something new and am beyond impressed.  I only hope they are not too hard to find once I am able to start collecting them.

Golem from World of Smog
Golem by Allan Carrasco
Shaking Shawn
Shaking Shawn by Thomas David
Kaine Finger
Kaine Finger by Allan Carrasco
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World Steam Expo Recap

Boba Fett has found me
Steampunk Boba Fett aims to collect his steam-bounty

I had a blast at the world steam Expo.

WSE was incredible – so many great bands, many more great people. I had no idea so many people already knew my work… and to add to the awesomeness of the event – I got to hang out with Captain Robert and Daniel of Abney Park, Lex Machina, Emmy, Bethalynne’s Nieces, and of course Bethalynne and after hours. A lot of good drinks were had, and many many good times. It was possibly the most incredible night of my life (so far).

I have put a very intensive review and recap HERE on my facebook fan page (no point in duplicating huge posts all across the net). It is open for anyone to read, you don’t even have to add me.

Also, for those who are here after meeting me at the convention, especially those from Michigan and from Grand Rapids – I really, really want to hear from you, so please don’t hesitate to write me, add me, whatever it is that will allow us to keep in touch.

Thank you for a wonderful experience and for all the wonderful times.

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How to Make an Airship Model

This construct is mostly wood, with papier-mâché for the balloon and the base shell of the gondola, and mesh sandpaper for the deck floor (to mimic the cross-hatched wooden cargo doors on an old deck). It took a couple of nights to make, but  a lot of that was walking from basement to top floor scouring the house for possible materials, and waiting for glue to dry…

materials
materials

I did not really start off with any materials in mind. I had bought some of these supplies for something similar a while back, but a lot of these I found around the house as I went – so, just because I used them, doesn’t mean you can’t find something better. I am a starving artist, and also having to use what is handy because I am working after midnight, after most stores have closed. Feel free to substitute – but I have found up-sides to most every improvised material and I will try to elaborate as I go. Materials: 1) Two pre-made papier mache eggs – one large, one small. If you cannot find them pre-made at your local craft store, you can make them by simply layering papier mache around a party balloon. I used the large egg for the balloon, and cut the small egg in half to make the gondola. 2) One large wooden dowel (1 inch diameter), Eight small dowels (1/4 inch diameter or 3/16ths) 3) A spool of wire. I used framer’s hanging wire because I had some handy. 4) Drywall screen. It is a type of mesh used for sanding drywall – a fabric screen coated with abrasive crystals. 5) Some thin wood panels. Modeling stores have them, crafting stores have them. They are typically used for everything from model ships to doll houses. I cut the propellers out of these. 6) A packet of small hardwood spools 7) a packet of hardwood “pickle barrels”, 8 ) a packet of wood beads. 9) Glue – the stronger and harder the bond, the better: Gorilla glue, Tacky glue, Elmer’s glue all… 10) Paint – you’ll probably want to paint yours. I recommend some cheapy apple barrel or comparable acrylic craft paint. For the demo, I am painting everything black, but I will eventually go in with browns and brass colors to finish the job. Tools: 1) Two pen knives / craft knives. I use them for moving small parts, holding other pieces in place, and of course cutting things. 2) A drill, or a drill bit will come in handy. If you have a power drill it does come in handy – but you can make due with a drill bit stuck in the end of a wood dowel. Match the drill bit to the size of your smaller dowels. 3) A pair of shears or tin snips or some really good (or really disposable) scissors. 4) a coping saw or other fine-bladed crafting saw. To Begin: There are a few steps I do not have pictures for (but will correct this when I start the next one. I didn’t at first plan to make a tutorial of this (sorry). 1) The first thing I did was to cut a hole in the top the big papier mache egg. I made the hole just a little bit smaller than the large dowel. I then cut a hole through the other side of the egg, and pushed the dowel through. This is the mast and (possibly) smoke stack… if you want it to be a smoke stack… I won’t stop you. Either way, it is a big pole going through the balloon top to bottom. Make the big mast long enough to protrude from the top, and from the bottom about 3 inches. This mast will also be the main thing holding the gondola onto the balloon. 2) I did the same thing with the small dowels – making holes with my pen knife and poking the dowels in – one long one in the front (foremast), two in the back (for the tail – one straight out the back, one higher up), two on each side (to hold the sails) You can look at the second image down to get the general feel for where I put mine. I made them go deep into the Egg for more strength.

Bead
Balancing the bead on the tip of the knife is easy, especially if the bead has holes in it. The spots of glue you press the beads into will pull the bead off the tip of the knife pretty easily.

3) To strengthen your masts’ joints with the body, pour glue around where a dowel meets the balloon. Then, with the pen knife, add beads around the mast. This mass of beads and glue will make a nice collar to keep the mast from sliding back and forth, and it will also reinforce the balloon where they meet (see image below).

Airship Model - early stages
Airship Model - early stages

4) For the gondola (above) I cut the smaller egg in half. I also cut a round hole through the bottom where the large mast will just barely pass through (enough to give it a strong bond). 5) I cut a little semi-round divot out of the back and glued a barrel into it (the main boiler). I then glued a barrel in the front to balance it (it also makes a nice wheelhouse). From there, I covered the top with my drywall screen, which a cut with a pair of tin snips. 6) Engine assembly: two short bits of the small dowels on the sides, one as a cross-pipe, and two pickle barrels make the main engine assembly. I drilled holes into the sides of the pickle barrels so the crossbar could be glued in securely.I also drilled holes in the back-ends of the barrels so that I can put my propeller shafts into them. 7) For a touch of added decoration. I also added some wood beads to the top of the assembly. 8 ) The rest is just decor – wood beads cover where the mesh meets the egg, little wood pins add a touch more decor to the deck, a thin shim of wood and some more beads makes a solid walkway to the wheel.

propellers
propellers

9) For the propellers, I cut two of the small spools in half with a coping saw. I drilled my hole through first – and then I fond that I could just leave the spool to spin on the drill bit while I pressed the blade of the coping saw against it. It worked like a mini-lathe. Follow my example there at your own risk – it may be dangerous. 10) I then carved 4 thin propeller blades from the thin wood slats (using the utility knife) and I glued them to the top of one of the spool halves. Then I glued another spool half on top of the propeller blades, sandwiching them in between. 11) Repeat the above step for a second propeller.

end cap
end cap

12) I cut the ends off of another spool, and used them as end-caps on a 3-inch piece of a small dowel. Again, I drilled holes in the spool first, so the end caps will go around the shaft. These end caps will allow your propellers to spin freely, without the worry of them falling off.

painting the ship
painting the ship

13) Lots of black acrylic paint. When adding a patina to anything, it is often easier to go black to light, especially when it comes to acrylics. Slather the stuff on – not only will it add strength to your construct, but it will smooth out the surface of the balloon.

Unwound Wire
Unwound Wire

14)  I cut the sails from the drywall screen (abrasive sheets). I pretty much just held them up to the masts I had made, and cut n small steps until they were just how I wanted them. Then, when the sails were the right size and shape, I tied them to the masts with thin wire. I did not have any thin wire handy, so I unraveled the framer’s hanging wire. I tied in about 4 spots per mast. If it is hard to tie, you can twist the wire instead… that may even be better. 15) For the jib sail, I had to secure some of the thicker wire between the top mast and the foremast, so i could have something to tie the sail onto. You could probably use a really thin dowel for this and have a *much* easier time.

Wire and Mesh
Wire and Mesh

15) With the sails tied on, I poured glue through the sails where they met the masts and cables. The nice thing about having used the mesh – the glue passes right through the holes.

gondola
gondola

16) I put the propellers onto the shafts I had previously end-capped – make sure the holes through the propeller are big enough to allow for spinning (they should be if your drill bit is the same size as the small dowels). If not, give them another pass with the drill… some glue might have gotten in there, or the pieces might have shifted before drying. 17)  If they spin, or if you don’t care if they spin, you can now glue the shafts into the holes at the back of the engine assembly.

Complete for now
Complete for now

18) Done… or for the most part. I have ideas on what color I am going to paint mine – but you know the principle: put paint on a brush, brush paint where you want it – use smaller brushes for details,  bigger brushed for bigger areas – ‘not too much more I can tell you there.

Complete - alternate view
Complete - alternate view

I’ll post pictures of mine when I am done. For tonight, I have to let everything finish drying…. then off to the World Steam Expo on Wednesday night/Thursday Morning.

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The Sweet Smell of Recovery

I am back online. I’ve finished fixing the images in the store, and got a lot of the more recent blog enties (though I still have ten years more worth to go).

The timing for the server going down couldn’t have been worse – as during those 4 days, I not only got featured by Internet Jesus, Warren Ellis, but I finally got one of the Daily Deviation thingers on Deviant Art – sending anyone who searched for me by name or tried clicking my homepage link to a dead page.

… I hate to even think of the dead page casualty count there… 1200 faves on that image in one day, says that number would be approximately …”a lot”.

Today, Browsing Warren Ellis’ blog, I found my good friend, Eric Adams: Moon Zombies
and also my fiancee Bethalynne Bajema: Cthulhu Maestro. It seems like the internet gods are smiling upon our little cluster of artists this week.

In other news, I’ve added three new artworks to my stock – prints of two new engravings (here and here) and prints of one new painting (here). I’ve also made a single page about prints, print quality, and print types (here). The new painting, as all my paintings from this series, was sold before the last brush stroke was done – if you are interested in either of the two engravings they are currently listed on Etsy (here).

Pollen
Pollen - a weird art engraving not necessarily from my Airships and Tentacles series
See Monkeys
See Monkeys - a weird art semi-steampunk engraving of ocean depths, man-made contraptions, and ancient beings.
Red Queen - A fast and rough spatter painting in acrylic on birch panel
Red Queen - A fast and rough spatter painting in acrylic on birch panel