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Reign in Purple

Painted on birch panel in acrylic paints. Even the images below can’t possibly give you a good look at all the detail in this piece… but that is the story with most of my works.

This piece took me 2 + 2 days of no sleep, painting from waking till crashing.

“Break time” for me is a matter of choosing 2 or 3 days in which to do art other than the art I *should* be doing, and I tend to cram as much art into that time frame as I possibly can. This time around, I decided rather than several engravings or several small paintings, that I would do one painting, break far away from my typical American Art Movement or Luminist style, and delve into something more Art Nouveau or cartoony (I chose somewhere between ‘both’).

If you’d like to see the fine details (minuscule scales, blood vessels in the eyes, variegated petals, and all the fine lines which hold them in), you’ll probably need to buy the original (here), or buy one of the 20 available full sized giclees (here), *or* buy one of the 10 by 20 inch metallics (here)

Reign in Purple - Victorian Cthulhu Tea and Flowers Art

Reign in Purple: 12 inches by 12 inches in acrylic on wood panel.

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Detail 1 (click to view)

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Detail 2 (click to view)

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Slave 1881

John Strangeway, aka Steampunk Boba Fett hired me to create a more Victorian/Edwardian era craft for him in a painted portrait. This (below) is the result.

The original is 32×24 inches, painted in acrylic on canvas.

14×11 inch hand-signed giclees are here: https://mykeamend.com/products-page/all-products/slave-1881-steampunk-boba-11×14-inch-giclee/

10×8 inch metallic prints are here:  https://mykeamend.com/products-page/all-products/slave-1881-steampunk-boba-10×8-inch-metallic/

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Work with me here

I am seeking two people who live in Grand Rapids, or are willing to travel to Grand Rapids for the Artprize competition/event.

Most importantly, those people would be able to be here during Artprize, Late September through early October, or at least be able to transport their part of the project before the event begins. Preferably, they would live in the region and be able to work on the project right here – that work period being from May through September.

This would be a collaborative project, with winnings split evenly between collaborators, should we win. Expenses would be covered by whatever sponsors we can find, and I’ll be seeking space to work in, in addition to the perfect venue for our work – hopefully one that will yield the most visitors.

The types of artists/artisans I need are as follows:

A plumber, or preferably someone who has experience and tools to weld brass, and feels they can do so imaginatively. Bonus points if you have some experience with functional structure and moving parts.

An Architectural design/engineering student (or preferably certified structural engineer), because venues and insurers are very happy when there is paperwork ensuring them our work won’t fall down and go “Boom! Squish! Aaaagh!”

Someone who works with electronics and electrical might also be nice to have, as we probably won’t be able to use coal power our device.

A co-painter might also be desired… preferably one who works in the pop-surrealism vein and does not mind putting down paint with other people’s paint.

Someone who works in alternative energy would be a plus. Electrical is the fall-back, but I would *like* to see this thing powered by green or alternative energy sources – anything from solar power, to sterling engines, to just a bio-diesel powered generator… or otherwise.

Persons experienced in grant writing and/or press releases. I’d be happy to count you as a collaborator as well – as long as you are willing to pitch in on driving, organizing, and/or some physical work in the process.

Of course the fewer people we have, the bigger the share, so people skilled in multiple areas outline above would be preferable – but I feel our team should not be so slim that it presents difficulty. That perfect balance is what I am looking for.

Creative Freedom:

I’ll put in ideas, thoughts, and designs where/if *wanted*, but want you to have as much creative freedom as you desire. I want this to be a collaborative project, not an artist as an overseer project. You can put in equal input on what I am bringing to the table, wood working, painting, promotional ability, web site skills, programming skills, graphic design skills, and a broad knowledge of most everything practical, to make a huge and impressive piece that is *ours* collectively and equally.

What is to gain?

Aside from participating in the nations largest open-entry art competition, which spans an entire downtown area:

$250,000 is the first prize,  $10,000 is the second prize, $50,000 is the third, and fourth through tenth prize are $7,000.

I am confident that if we do not win, we should be able to find a home for the finished work pretty easily, because we are that awesome. Interested parties can contact me through my contact form (hit the little envelope on the pipe at the top of the page).

Sponsors needed:

Right now, I would love to hear from suppliers of fabric and canvas, art paper, lumber, brass tubing/piping/hardware, tool companies, transportation/logistics companies, hobby shops (gears, cogs, shafts, servos), salvage yards (much of the same), art supply companies (paint, gesso, acrylic medium, pencils, markers, brushes, etc..), and anyone who has a hangar, industrial space, or large garage for us to build in.

Progress to date:

I’ve already grabbed a domain and hosting for the project, in trying to be more pro-active than last year. I will be using my “spare* time to build the site for this project over the next month or so. Details will be on that will be posted here once the site is up. Everything from there will be rather “hush hush” and done via groups, phone, email, or in-person, aside from press releases, until the ArtPrize bidding process begins.

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The Artist’s life: Myths and Misconceptions

This post is for those who are aspiring artists, those who are living the artists’ life/fighting the good fight, those want to know what the typical artist’s life is really like, those who erroneously assume we are on some pedestal above the working class, and especially those who see us as something lesser than the hard-working masses.

I really enjoy what I do, and I enjoy every person I interact with online, and every person I meet at shows and conventions along the way, when we are able to make conventions anyway.

Often times, I find myself being labeled or referred to as a “successful artist” – and I suppose that, if artists were paid in web hits, kind comments, web features, magazine features, book features, television news spots, peer/colleague recognition, and used bandwidth, that just may be… And, really, there could be nothing better, save for that ever-distracting rumbling from within…

– Some people mistakenly think that being an artist means not having to work – joyfully stroking away at a canvas with a very long brush so we can still recline in a golden hammock, while dining on peeled grapes and supervising our apprentices to urinate more passionately upon a silk-screened soup-can.

– Others assume that being an artist means not wanting to work, as if we spent all of our days on play and recreational drugs, and only picked up a brush to avoid “real work”, or maybe just to have something to offer for money… like that guy on the corner offering to sell you a handful of dumpster findings from his pockets, because he knows you’d rather just give him 50 cents.

For an actual artist, one who lives for art, and lives as an artist, *neither* assumption could ever be farther from the truth:

Now, I am talking actual artists here: Not those jet-setters who would gladly have fame rather than create something worthwhile – Not those coke-headed scenesters to whom “art” is rubbing elbows with the wealthy over champagne while conversing about the deep and existential meanings behind sloppy paint on a half-assed doodle ready-made to satisfy the “chic” galleries’ demand that an artist produce 12 pieces a month to be considered – Not the “I’m gonna splatter this paint on a canvas” guy you see making a living off 5 minutes work per $50 painting (or sometimes $4,000,000 painting).

… No, I am talking about those who couldn’t live without being able to create things worth being proud of, and would gladly die of starvation or lack of sleep if it meant finishing that one last work… which in its conception and crafting is nothing short of amazing, but completed, will never, ever be good enough, but always one step closer… while never anything worth patting oneself on the back over.

Even a step backward is a step forward, every failure is a triumph. We learn through experience, improving our art through noting the good and the bad – and for all the works you’ll ever see, are at least three that get crumpled, scrapped, abandoned, burned, or shot and buried ceremoniously.

Artists included – Any of us who struggle to work for ourselves, are the most tyrannical of bosses – We typically spend 16 to 36 hours at a time on our work between 4 to 10 hour naps, grabbing a shower or a bite to eat when there isn’t an important deadline to meet, or paint threatening to dry on the pallet. (I’ve managed over 150 hours of straight-painting in my worst/best days – bathroom breaks and Mountain-Dew refills excluded).

On the very best days, those hours are spent on art alone, though those days rarely come – so the days get longer and longer, bedtime gets that much further away, just so some actual art can be managed before “day’s end”..some 48 hours later.

If we are doing well online, much time goes into ordering tubes and packaging, ordering prints, wrestling with cardboard and glue to make painting-shaped boxes, rolling prints, printing labels, signing things, making certificates, running to and from the post office… it keeps us from our work, but it is happy work. Sending my art to hang in the home or office of another person keeps us going, emotionally and financially.

The rest of our time is spent writing blog entries, redesigning our sites, managing our “social” network pages, creating sales, adding new products to the web, looking for affordable advertising, logging clicks and cost, submitting to boards and sites and magazines, answering our email, waiting for others to answer theirs, looking for new markets or merch like skins and tattoo flash and tee shirts and such, and doing work for others to make ends meet: Web design, ad design, various other things “artistic” which are not “art” and often soul-sucking – especially that every hour spent here, could have been another hour of painting.

Things being what they have been these years, we spend more and more time on the latter, less and less time on the former, and all those extra hours of tearing our hair out and staring into this screen, mean bedtime is that much further away if we are to get any actual painting or drawing done… because an artist who does not create, is not an artist, but a “seller” if they are so lucky as to be making sales in that time.

And when things suddenly go well… due to some freak internet occurrence, some kind soul with a lot of traffic posting our images, or numerous kind souls posting the same to their friends, Tumbling, Stumbling, Tweeting, whathaveyou, or just the purchase of an original work: When we have shipments out of the way, if we have money left over, what we don’t re-invest in replenishing our art supplies – we use to allow ourselves time for our very best days: A worry free day or week of making more art, maybe sleeping and eating more regularly… maybe even putting ourselves on the list for a convention.

… and for those days of pure art, still working most of the day, we feel like kings; It boggles my mind to see these people who get huge funding and fame for their art, and could actually bear to spend their days just riding out that fame, when they could be using all that money and attention to make bigger and better art… and not just things that will sell or grab headlines simply because a famous person made them.

Truth be told, if art were not so incredibly important to us, we artists could live far, far better begging on the street, or even working a minimum-wage job. We are in a class below “poor”, and often looked at as much less – though we don’t get government money to sit on our butts, no medical coverage, no paid rent, no food stamps, no $5,000 EIC for making babies we can’t afford … Instead, we *choose* not to be a burden on society, we *choose* to overwork ourselves to death, and do so for much much less, and a lot of nothing in between.

We live on caffeine, adrenaline, will power, and most importantly the hope that all of our hard work will someday mesh with the American dream: That determination and sacrifice will pay off in the end.. knowing that having spent years of your life on this pursuit, that giving up now, or tomorrow, would render all that suffering and struggle pointless.

And this is not for lack of skills or knowledge; The both of us are very adept in crazy things like PHP, HTML, CSS, Javascript, Actionscript/Flash, Photoshop, Illustrator, In-Design, and other things that *could* be making us a decent living; We put all that time invested learning into our web sites, magazines, pre-press on our own artworks. We know how to work power tools, we know how to shape and work with lumber, we know how to work with more materials and how to do more things than most people could imagine, because every thing we don’t yet know, reflects something we may one day want to use for art… and we learn it all on our own time, without grants, without scholarships, with no reward greater than simply knowing … and being able to do whatever we cannot pay others to do.

We are thrilled to be able to justify $8 on drive-thru food we don’t have to cook, being able to spend that time instead on art is like Christmas for us… the same goes for trading blown-out boots for the next 2 years’ “new pair” or getting a pair of glasses that are less scratched-up in order to struggle less with the painting. We drive a car the mechanics gave 6 months to live, and have done so for 3 years waiting to have $350 that does not need to go to bills or art. We pay for our medical expenses out of pocket – and just hope for the best on anything we cannot pay for: Abscesses, unknown pains, troublesome coughs, broken bones if they are not compound fractures.

… Really, If I haven’t just cooked up the last breast of chicken and the last egg in order to make sure the cats are fed, or if I am not stressing over catching us up to “$nothing”, it is a pretty good day… yes, I live on the brink of homelessness – and I work very very hard to live on that brink.

For all of our work, despite the amount of homes that have our art hanging in them (including those where the art was paid for), or how many people know us online, or how many places you can find us, or the appearance of our web sites, these hard-working artists are really lucky to make $1 an hour for their 100+ hours a week.

… And I hope I die never knowing what it is to give up on my dreams. If that is sooner, or later – then I hope the the latter as I am not yet where I want to be with my art. Though I don’t think I will ever be satisfied with what I do, I know that choosing comfort or even life over art is death for me.

Any artist who can survive another day, having lived a day as an artist, is a lucky artist

… and I suppose, *yes*, that does make me “successful”.

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– If you are another artist and maybe looking for some clues on how to survive “the Great Art Depression”, it is pretty simple: The secret to survival is to not give up and die. Those businesses who made it through the 1930’s Depression, came out on top, and remained there for the rest of the century.

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– If you are not an artist, and I have provided some level of understanding, or if you simply agree – Please take the time to add to the success of the creatives you appreciate seeing work from. Buy a CD, buy a book, or an e-book, watch a program and wait through the commercials… And though some of the art you enjoy may be a bit dark or crazy for your walls, do something more than just setting a desktop image. Maybe this means giving them $1 – not as a handout – but in appreciation for the millions of hours of thankless work and study  they invested into just getting to the point where you can enjoy an image – or maybe this means telling a few others about their work.. stumble, tumble, blog, do *something*… become a part of the creative process, a part of history, by tipping the scales in favor of what you like to see, hear, or read.

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Steampulp Baba Yaga

“The Magic Hut”

I’ve been dying to do a Baba-Yaga themed piece for some time now. I could probably do ten more and still not cover all of her faces or personalities.

This one I took a heavy-mechanical and clunky tentacle whipping approach – with the hut trampling trees and tearing the earth and road below on its rampage into a sleepy town

20 limited edition giclee prints are available Here

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Art Originals on sale on Etsy this week

Normally, I prefer to sell here, but when it comes to originals, I often put them up on Etsy first for added exposure.

We’re running on a deficit this month, so I put these three items up for sale on Etsy, significantly reduced in price until one or the other sells, then the others will go back up, and find their way back here.

If you’ve been wanting an original work from me, this week may be the very best chance to do so, and do so cheaply.

Lost City 14×11 in acrylic on Bristol board $395 $300

The piece is done in acrylic paint on acid-free bristol board, and is 11×14 inches.

It is detailed, as with most of my paintings, down to a single hair or less for countless fine details.

It features two airships moored to the ground amidst an abandoned city which is carved into the surrounding plateaus.

Gadreel over Mackinac Bridge: 44×32 sculpture in wood and light, ready to hang – $550

I based this design on the airship from “Behold the Machine”, it is carved in mahogany, and painted in several types and layers of stain to separate the airship from the sails, clouds, bridge, and water.

It is roughly 44 inches by 36 inches and 2 inches thick. It requires no framing as it has 2-inch thick sides which are also stained and varnished. Hangers are already installed on the back.

I made a network of LEDS inside of the sculpture, and drilled holes for light to come through (along the airship and bridge), and put two red LEDs at the top of the bridge.

It is battery powered, but if the piece sells, I can buy the resistors and wire needed to make it powered by AC, with a 3-volt 500MA power adapter. Unless the new owner would prefer it remain battery powered.

For all the work I put into it, and since it was originally a part of our ArtPrize bid, and since it isn’t something I can make prints/reproductions of (completely beyond OOAK in that regard) I’d typically price this piece at $2,700 and would prefer to sell it for no less than $1,000. But, money is tight this week, and I am throwing it on Etsy at a steep, steep discount for now.

The Ruins: 14×11 acrylic on Bristol board – $375 $275

The city in the mountains is inspired my collaborative work with Bethalynne Bajema on the 30 foot x 10 foot mural we did for Artprize and showed at Destination 1111.

I wanted to see how bits of this city would look in a mountain landscape setting – and like many of my landscapes, the airships or other vehicles serve as a mode by which to explore — adding that human element without making the piece completely about a character or group of characters… maintaining that wondrous and serene landscape feel.

The piece is done in acrylic paint on acid-free bristol board, and is 11×14 inches.

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New Wallpaper: Lost City 1280 x 960

Not the greatest scan… alright, it is a shite scan. But, I killed the big scanner and the Lexmark scanner is never good for anything save for documents. So, the subtle clouds and color in the sky are somewhat washed out, and some detail is lost as well.

Regardless, being wallpaper and all, I figured it’d at least give you a chance to preview this image whilst I work to make what I need to get a good scan of some of these recent works.

Lost-City-Desktop Wallpaper
Lost-City-Desktop Wallpaper
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New Wallpaper: The Rescue 1280×960

This one is finally available.

It took me forever to settle on the right cropping for this one, but I managed – much of this due to regular requests to make this one available.

This painting features Abney Park’s trademarked HMS Ophelia, and was commissioned by Captain Robert Brown of the famed steampunk and retro-future band: Abney Park.

The Rescue -Steampunk Airship Wallpaper featuring Abney Park's HMS Ophelia
The Rescue -Steampunk Airship Wallpaper featuring Abney Park's HMS Ophelia
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New Wallpaper: The Ruins 1280×800

This piece is somewhat based on my collaborative work with Bethalynne Bajema … That 30 foot x 10 foot mural we have sitting in our garage awaiting a studio space to display it in.

The mountain city-scape in this picture is *heavily* influenced by her creations, as well as my desire to see them as functional parts of a mountain landscape.

The original is available here: [link]

35 signed, dated, Limited Edition Giclees ($90) are available here – but the first ten are available at $55 here: [link]

The-Ruins-1280x800 Steampunk Fantasy Art Desktop Wallpaper by Myke Amend
The-Ruins-1280x800 Desktop Wallpaper by Myke Amend
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High Gravity Giveaway

Why “High Gravity”?

Well, My mind is currently enhanced by a (arguably) healthy dose of high gravity beer, I’ve been packaging prints and art all night for Steamcon, and I came to the realization when looking through boxes of prints, that I have *way* too much backstock – the result of guessing what I have in stock when I make large orders to stock up for conventions.

What are the rules? Well… I thought to do a random draw, or a “twitter about this and be entered” sort of thing, but instead: this is a 100% you win something sort of giveaway.

Order something, anything, and I will look at your order: whether it is spooky, or steampunky, or fantasy and find things that will fit into your package and drown you in some freebies.

I know, I know – this is not very fiscally responsible of me. I should just save that overstock, write down a list of what I have, and *not* order more of those things before the next convention… count them as “money in the bank” or something.

But I am not in the mood to do that right now. Take advantage of my mood enhancement, and make a purchase. Order something 8×10, and I’ll throw in some 8×10 *and* smaller prints. Order something 11×14 and I’ll throw in something that will package well an 11×14… you see where I am going?  I don’t – but that is not your problem.

Rather than having you type some sort of keywords or phrases in to your order in *wink* wink* *nudge* *nudge* (you know what I am saying?) fashion – I am extending this offer to anyone who places an order between now, and when I pull down this announcement (or November 19th – whichever is the latest… just in case I choose not to pull this entry from the internets).

Excited? YOU SHOULD BE!!!  Because I am just itching to slather you in lusty gratitude, but will settle for making your order much bigger-er.

So, there you have it. Place an order, get more than you bargained for. And though I might not be saying this when I am un-enhanced: Thank you!!!