I did this as a drawing a while back for my free coloring pages I offered here, which is a coloring page not in my for-sale coloring book, and decided that I really wanted to do a color version myself… even though its fitting well into the series would even further-delay the release of my Airships and Tentacles art book, still in the works until the last two commissions are done.
The image is one of a little girl drawing out her surroundings with a magickal piece of chalk… floating fish, airships, men riding sharks, and geometric stars like snowflakes are some of the major scene elements, but like always: there are lots of things hidden within ice formations and other elements.
Though it is incredibly cartoony (from a cartoony sketch that is no surprise), and way more colorful than I tend to do things, I rather like it… enough so that I wish I could better communicate the look online, but you know how web graphics go: never nearly as much can be seen or felt as looking at the original painting, or at least the prints which look dead-on the original painting thanks to giclee printing technology.
Recently, being some several months ago or less, as “recently” tends to go for me, Hendrick’s Gin contacted me to participate in their “Curate a Box” contest give away.
Though I have been rather up to my neck in getting out the rewards for the Infernal Device Kickstarter (which when done I plan to celebrate by logging all the ins and outs of the experience into a seriously detailed tutorial), I really hate to pass up good opportunities for promotion, especially when it involves interesting new challenges.
So, in between bonding prints to wooden constructs, waiting for layers of decoupage glue to dry, refining screens for printing, and wrestling with packages, I’ve been hopping into the basement workshop and doing some work on this wooden box they sent me – the box and contents to be given away by Hendricks Gin when done, through their fascinating newsletter and blog at Unusual Times.
My plan, as with all things I do, is to make an heirloom quality and long-lasting piece, so I felt I should do a bit of added reinforcement to the original box with some fine bits of oak, birch, mahogany, maple, and/or cherry, which are the sorts of wood I prefer to make my constructs of and paint my paintings onto.
The very first step, of course, was to remove the box from the package. There was a wonderful promotional book from Hendrick’s Gin in there as well, but Insects and Angels Author and Editor Bethalynne Bajema so-loved the little book and all the artwork within, that well… she was still thumbing through the book, and I might have lost a finger if I tried to reclaim it. Anyway.. the box, above.
Another shot of the box, it’s insides just the perfect size for a number of unique 8.5×11 printings of some of my select artworks.
I plan to fill this box with:
1) At least 6 hand-signed fine art prints on a special paper and of a special size to make them one of a kind.
2) A Magickal Bag of Holding
3) A polar bear
4) A bunch of Arctic Salmon for the polar bear
5) Bethalynne says that Magickal Bags of Holding are not available anywhere around here, and are quite likely mythical.
6) An original painting, as the inside top of the box, which fits snugly but can be removed and framed.
7) Tacos! Everyone loves tacos!
8) Apparently the above is also a violation of postal code.
9) Some sort of sea monster… though a rather tiny one, made of clay and hand-painted.
10) I don’t know yet… it seems like a lot so far, so I’ll have to see what else the box can hold…. maybe some stickers and patches.
The first thing I did was to cut some pieces of oak – two for the insides of the box (one to reinforce the bottom, one to be painted and inserted into the box later), one to make for a hard and sturdy plate for top of the box.
Work Space: YeGads!! …
Above 4 photos: Ground Zero… I have been working from one thing into another for way too long. The workshop is piled in bits of brass and unsorted wood… and I am pretty sure there are some clamps and other important tools under there somewhere. I should clean up beforehand to make all of this go easier…
… ohhh… maybe after one more cut.
A thin coat of poly completes the night’s work. Tomorrow I’ll sand this down with fine paper, varnish it again, wait another day, sand it down with steel wool, varnish again, wait another day, sand with steel wool again, wax, buff, wax, buff, wax, and buff… until the box is looking very nice.
During that time, I’ll also be working on the painting to go int this box, 3 other painting commissions, shipping, and kickstarter rewards… the good thing about all these projects, is that they each have steps that involve waiting for things to dry or to set… the trick is managing that time so there is always something to do on the next while waiting on the other.
Painted on birch panel in acrylic paints. Even the images below can’t possibly give you a good look at all the detail in this piece… but that is the story with most of my works.
This piece took me 2 + 2 days of no sleep, painting from waking till crashing.
“Break time” for me is a matter of choosing 2 or 3 days in which to do art other than the art I *should* be doing, and I tend to cram as much art into that time frame as I possibly can. This time around, I decided rather than several engravings or several small paintings, that I would do one painting, break far away from my typical American Art Movement or Luminist style, and delve into something more Art Nouveau or cartoony (I chose somewhere between ‘both’).
If you’d like to see the fine details (minuscule scales, blood vessels in the eyes, variegated petals, and all the fine lines which hold them in), you’ll probably need to buy the original (here), or buy one of the 20 available full sized giclees (here), *or* buy one of the 10 by 20 inch metallics (here)
Reign in Purple: 12 inches by 12 inches in acrylic on wood panel.