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Black Ships Ate the Sky

I started this, thinking I was going to take an 8×10 pencil sketch and make a neat water-colory looking piece of it, or maybe just smooth it out and make some edits.

I began by making it 16×20 at 400 DPI, and then took to smoothing out all of my pencil grainy-ness. I chose this size, because I like my works to be high resolution, and my prints to be perfect – I also always consider that I might finish a piece, and then wish I had made it available much bigger.

The downside to working digital for me, is that can I zoom in to where I can see the individual pixels when it comes to detail… I begin just doing this for one part, then realize that the entirety of the work now needs to be in this ultra-high resolution – and set off on a journey of exploring a miles-square map of pixels for.. as long as it takes… in this case, over 300 hours I really did not have to spare. I think I spent nearly two weeks planning on being done “tomorrow”.

It was certainly a way to indulge though – as an artist these days, I don’t always get the chance to put so much work into one piece – though I do put a tremendous amount of work into every one comparatively.

From pencil sketch, to over 2 gigs of file size, hundreds of layers of painted elements, plus all the modification layers for overlay, lightening, darkening, color, multiplication, saturation, etcetera…

About a day or two in, I decided it would be a great idea to actually log the process for this one… and I saved a lot of progress pics.  Below, you can actually see the details of the finished piece. One thing with all of my paintings and other images: Web resolution will never let you see how packed with detail every inch is, or all of the interesting scenes, items, and mini-artworks semi-hidden throughout the painting.

Below that, I’ve added my progress pics – for people who are interested by such things.

Oh… if you would like to buy printings of this: There are giclees available in my store – There are also poster prints and photographic prints available at our Redbubble shop – Also in my DeviantArt account.

Image and details:


Progress Pics:


A rather rough sketch… these were quickies done for $25 a pop for bus fare a year or so back. The paper type really did not allow for erasing, so they were one-shot deals. I liked the concept and base layout enough, I thought I would do some digital work on it to make it print-ready.


A lot of steps went by before I realized it was going to be a much bigger project than I planned. It was the point where I was fleshing out this airship where I decided some screen caps would be good. I had started on the girl, switched to the airship, cut my pencil work out to its own layer, and placed other airships where I wanted them, as placeholders for the sake of layout.

I blacked out the girl for this stage, I didn’t want its pencily quality drawing my focus from the background I was working on.


head/face. This part took all of my night – so not much else has changed.


boots and leggy things… I put a lot of base work into this, then decided I would need to enlarge the feet, and widen and lengthen the lower legs. I write notes to myself whenever there is something important I want to hit first thing the next day… you’ll see these notes in other screen caps below.


The very beginnings of the holster and belt… I would later go in further, and further, sharpening up these details, then making details within these details… and sharpening those up. Oh, you can also see the base/beginning brushings of her stripey-pants.

… and done.

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Slave 1881

John Strangeway, aka Steampunk Boba Fett hired me to create a more Victorian/Edwardian era craft for him in a painted portrait. This (below) is the result.

The original is 32×24 inches, painted in acrylic on canvas.

14×11 inch hand-signed giclees are here: https://mykeamend.com/products-page/all-products/slave-1881-steampunk-boba-11×14-inch-giclee/

10×8 inch metallic prints are here:  https://mykeamend.com/products-page/all-products/slave-1881-steampunk-boba-10×8-inch-metallic/

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New Wallpaper: The Rescue 1280×960

This one is finally available.

It took me forever to settle on the right cropping for this one, but I managed – much of this due to regular requests to make this one available.

This painting features Abney Park’s trademarked HMS Ophelia, and was commissioned by Captain Robert Brown of the famed steampunk and retro-future band: Abney Park.

The Rescue -Steampunk Airship Wallpaper featuring Abney Park's HMS Ophelia
The Rescue -Steampunk Airship Wallpaper featuring Abney Park's HMS Ophelia
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Colour from Space

Dead Sea Painting by Myke Amend
Dead Sea Painting by Myke Amend

An experiment in color, recently completed as a commission for Mike Skoog, wherein he asked if I could do something small enough for his music room, and more colorful than my standard muted palettes.

I went the more impressionistic route with this one, and instead of starting with the colors as I wanted them, I started with the nearest primary colors in their place, and worked downward in saturation and sideways in hue, until I reached this point.

Details are painted so incredibly thin, that I practically painted them with the very corner of a single hair, dropping molecules of paint in a line for stitches and ropes and other details. In this, I am reminded that working smaller is actually harder, not easier, because I still feel compelled to add my standard amount of detail…but in a smaller space (which means eye-strain and neck cramps in spades, and a more time-consuming work).

All the same, sometimes I like working small just for the opportunity to test my patience and practice my hand.

That was the second to last of all the commissions that remained on my plate before Artprize… one more to go, then I am my own man until I sell another…

Signed and dated giclees of this are available for only $25 here for a limited time, or $30 through Etsy