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My first Video ever: It’s terrible! You’re welcome!

Because we needed video up for The Infernal Device‘s kickstarter page, and didn’t have one, I decided to do a workshop video to talk about progress on the model. Problem being that I did not have any camera person to move the camera to key points like… I don’t know… my head, the model, the table of gears.

Still, I am proud of it – if not simply because I managed to not wear a helmet with blue spandex, nor am I waving a frisbee about.

If you would like to know just what the hell I am going on about in this video, you can see images of the parts we’ll be using, the part of the model already built, progress pics of building this drum, pictures of us and our works, and actual things about the Device and why we’re building it, details about our ArtPrize bid, all at InfernalDevice.net.

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Approved!

Our Kickstarter was approved and launched yesterday, and you can find it here: Our KickStarter Page

If you aren’t familiar with Kickstarter, it is a perfect addition to our community project feel, in that it allows fellow art lovers to become a part of our project, while receiving rewards for their participation.

Gifts offered for donations starting as low as $1 begin at our sincere thanks, and go as high as being painted into the artwork itself – with many, many levels in between at $5, $10, etc…

If you do not have a dollar to pitch in at the moment, we completely understand, and would appreciate your help in simply forwarding on the link to others. All those little donations matter greatly, especially when friends and friends of friends are chipping in.

On a sidenote: If you would like to hep out in other ways, from donating junk from your garage, to being there for the hands-on work such as the build, we’d love to hear from you. You can reach us through our contact form, linked at the top of this page.

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The Albatross

I’ve been up a *lot* of hours, so I am going to keep this short and add images and links.

This new work started with a pencil drawing, and I just couldn’t stand to leave it at that. It led to many days of wakey-time and a lot of sitting at the computer… a reminder why I don’t do digital art that often…too hard to put down.

I am making ten 11×14 metallics and 5 20×16 giclees on canvas available, as I would like to hold onto a bunch of these for the World Steam Expo in May.

The Albatross – 20×16 inch Giclee On Canvas (limited edition of 25)

The Albatross – Metallic prints (11×14)

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Reign in Purple

Painted on birch panel in acrylic paints. Even the images below can’t possibly give you a good look at all the detail in this piece… but that is the story with most of my works.

This piece took me 2 + 2 days of no sleep, painting from waking till crashing.

“Break time” for me is a matter of choosing 2 or 3 days in which to do art other than the art I *should* be doing, and I tend to cram as much art into that time frame as I possibly can. This time around, I decided rather than several engravings or several small paintings, that I would do one painting, break far away from my typical American Art Movement or Luminist style, and delve into something more Art Nouveau or cartoony (I chose somewhere between ‘both’).

If you’d like to see the fine details (minuscule scales, blood vessels in the eyes, variegated petals, and all the fine lines which hold them in), you’ll probably need to buy the original (here), or buy one of the 20 available full sized giclees (here), *or* buy one of the 10 by 20 inch metallics (here)

Reign in Purple - Victorian Cthulhu Tea and Flowers Art

Reign in Purple: 12 inches by 12 inches in acrylic on wood panel.

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Detail 1 (click to view)

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Detail 2 (click to view)

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Slave 1881

John Strangeway, aka Steampunk Boba Fett hired me to create a more Victorian/Edwardian era craft for him in a painted portrait. This (below) is the result.

The original is 32×24 inches, painted in acrylic on canvas.

14×11 inch hand-signed giclees are here: https://mykeamend.com/products-page/all-products/slave-1881-steampunk-boba-11×14-inch-giclee/

10×8 inch metallic prints are here:  https://mykeamend.com/products-page/all-products/slave-1881-steampunk-boba-10×8-inch-metallic/

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Work with me here

I am seeking two people who live in Grand Rapids, or are willing to travel to Grand Rapids for the Artprize competition/event.

Most importantly, those people would be able to be here during Artprize, Late September through early October, or at least be able to transport their part of the project before the event begins. Preferably, they would live in the region and be able to work on the project right here – that work period being from May through September.

This would be a collaborative project, with winnings split evenly between collaborators, should we win. Expenses would be covered by whatever sponsors we can find, and I’ll be seeking space to work in, in addition to the perfect venue for our work – hopefully one that will yield the most visitors.

The types of artists/artisans I need are as follows:

A plumber, or preferably someone who has experience and tools to weld brass, and feels they can do so imaginatively. Bonus points if you have some experience with functional structure and moving parts.

An Architectural design/engineering student (or preferably certified structural engineer), because venues and insurers are very happy when there is paperwork ensuring them our work won’t fall down and go “Boom! Squish! Aaaagh!”

Someone who works with electronics and electrical might also be nice to have, as we probably won’t be able to use coal power our device.

A co-painter might also be desired… preferably one who works in the pop-surrealism vein and does not mind putting down paint with other people’s paint.

Someone who works in alternative energy would be a plus. Electrical is the fall-back, but I would *like* to see this thing powered by green or alternative energy sources – anything from solar power, to sterling engines, to just a bio-diesel powered generator… or otherwise.

Persons experienced in grant writing and/or press releases. I’d be happy to count you as a collaborator as well – as long as you are willing to pitch in on driving, organizing, and/or some physical work in the process.

Of course the fewer people we have, the bigger the share, so people skilled in multiple areas outline above would be preferable – but I feel our team should not be so slim that it presents difficulty. That perfect balance is what I am looking for.

Creative Freedom:

I’ll put in ideas, thoughts, and designs where/if *wanted*, but want you to have as much creative freedom as you desire. I want this to be a collaborative project, not an artist as an overseer project. You can put in equal input on what I am bringing to the table, wood working, painting, promotional ability, web site skills, programming skills, graphic design skills, and a broad knowledge of most everything practical, to make a huge and impressive piece that is *ours* collectively and equally.

What is to gain?

Aside from participating in the nations largest open-entry art competition, which spans an entire downtown area:

$250,000 is the first prize,  $10,000 is the second prize, $50,000 is the third, and fourth through tenth prize are $7,000.

I am confident that if we do not win, we should be able to find a home for the finished work pretty easily, because we are that awesome. Interested parties can contact me through my contact form (hit the little envelope on the pipe at the top of the page).

Sponsors needed:

Right now, I would love to hear from suppliers of fabric and canvas, art paper, lumber, brass tubing/piping/hardware, tool companies, transportation/logistics companies, hobby shops (gears, cogs, shafts, servos), salvage yards (much of the same), art supply companies (paint, gesso, acrylic medium, pencils, markers, brushes, etc..), and anyone who has a hangar, industrial space, or large garage for us to build in.

Progress to date:

I’ve already grabbed a domain and hosting for the project, in trying to be more pro-active than last year. I will be using my “spare* time to build the site for this project over the next month or so. Details will be on that will be posted here once the site is up. Everything from there will be rather “hush hush” and done via groups, phone, email, or in-person, aside from press releases, until the ArtPrize bidding process begins.

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Steampulp Baba Yaga

“The Magic Hut”

I’ve been dying to do a Baba-Yaga themed piece for some time now. I could probably do ten more and still not cover all of her faces or personalities.

This one I took a heavy-mechanical and clunky tentacle whipping approach – with the hut trampling trees and tearing the earth and road below on its rampage into a sleepy town

20 limited edition giclee prints are available Here

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Art Originals on sale on Etsy this week

Normally, I prefer to sell here, but when it comes to originals, I often put them up on Etsy first for added exposure.

We’re running on a deficit this month, so I put these three items up for sale on Etsy, significantly reduced in price until one or the other sells, then the others will go back up, and find their way back here.

If you’ve been wanting an original work from me, this week may be the very best chance to do so, and do so cheaply.

Lost City 14×11 in acrylic on Bristol board $395 $300

The piece is done in acrylic paint on acid-free bristol board, and is 11×14 inches.

It is detailed, as with most of my paintings, down to a single hair or less for countless fine details.

It features two airships moored to the ground amidst an abandoned city which is carved into the surrounding plateaus.

Gadreel over Mackinac Bridge: 44×32 sculpture in wood and light, ready to hang – $550

I based this design on the airship from “Behold the Machine”, it is carved in mahogany, and painted in several types and layers of stain to separate the airship from the sails, clouds, bridge, and water.

It is roughly 44 inches by 36 inches and 2 inches thick. It requires no framing as it has 2-inch thick sides which are also stained and varnished. Hangers are already installed on the back.

I made a network of LEDS inside of the sculpture, and drilled holes for light to come through (along the airship and bridge), and put two red LEDs at the top of the bridge.

It is battery powered, but if the piece sells, I can buy the resistors and wire needed to make it powered by AC, with a 3-volt 500MA power adapter. Unless the new owner would prefer it remain battery powered.

For all the work I put into it, and since it was originally a part of our ArtPrize bid, and since it isn’t something I can make prints/reproductions of (completely beyond OOAK in that regard) I’d typically price this piece at $2,700 and would prefer to sell it for no less than $1,000. But, money is tight this week, and I am throwing it on Etsy at a steep, steep discount for now.

The Ruins: 14×11 acrylic on Bristol board – $375 $275

The city in the mountains is inspired my collaborative work with Bethalynne Bajema on the 30 foot x 10 foot mural we did for Artprize and showed at Destination 1111.

I wanted to see how bits of this city would look in a mountain landscape setting – and like many of my landscapes, the airships or other vehicles serve as a mode by which to explore — adding that human element without making the piece completely about a character or group of characters… maintaining that wondrous and serene landscape feel.

The piece is done in acrylic paint on acid-free bristol board, and is 11×14 inches.

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New Wallpaper: Lost City 1280 x 960

Not the greatest scan… alright, it is a shite scan. But, I killed the big scanner and the Lexmark scanner is never good for anything save for documents. So, the subtle clouds and color in the sky are somewhat washed out, and some detail is lost as well.

Regardless, being wallpaper and all, I figured it’d at least give you a chance to preview this image whilst I work to make what I need to get a good scan of some of these recent works.

Lost-City-Desktop Wallpaper
Lost-City-Desktop Wallpaper
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New Wallpaper: The Ruins 1280×800

This piece is somewhat based on my collaborative work with Bethalynne Bajema … That 30 foot x 10 foot mural we have sitting in our garage awaiting a studio space to display it in.

The mountain city-scape in this picture is *heavily* influenced by her creations, as well as my desire to see them as functional parts of a mountain landscape.

The original is available here: [link]

35 signed, dated, Limited Edition Giclees ($90) are available here – but the first ten are available at $55 here: [link]

The-Ruins-1280x800 Steampunk Fantasy Art Desktop Wallpaper by Myke Amend
The-Ruins-1280x800 Desktop Wallpaper by Myke Amend