Yeah, I know, people have gotten pretty used to me making with the fantastical steampunk stuff – but there are a lot of times when the things in my head aren’t exactly in the genres I’m known for, often times these things aren’t exactly things people would want hanging on their walls, or even like.
That, is perfectly okay.
I took a 6-month break from showing anything new here – not that I stopped creating, but I was building big things, painting big murals upon them, working large scale in everything from the art itself to the undertaking as a whole… I managed 7 new paintings – each 3 foot by 7 foot, and can’t show them right now as I have no budget for imaging them.
I’d like to say I am working on something even bigger than that, but I am working smaller for a bit – less over the top, less fantastical, less with the huge.
… Some of this, is because the project, and all that time, really tapped me out emotionally, physically, and otherwise – I may have shot my life completely down the tube, I don’t know – I’ve lost my faith in humanity save for a small handful of people I met and worked with during the process, and have lost all hold on any illusion that there is any hope for a real arts scene or art happenings in the town I am currently living in and my thoughts in general on art as a living: expletive filled and feeling rather final.
Until I find a job, hopefully something good and hands-on, blood and sweat and not having to deal with people variety… landscaping, construction, etc…
I guess I still have to do whatever I can do, manage whatever I can manage, every day, regardless – so I do what I can do, which is painting, on what I have available to paint on.
I’m finding bits of board and unused canvas around the house big enough to do paintings on, and painting away for no one and no reason in particular.
I think some might call this “freedom”.
If you liked the sorts of things I spent the last few years painting – well, there were ways to express that – Just downloading images, wasn’t it.
But, for those who missed all the oddness and ugliness… well, it seems that I am back in that regard, and will paint new things, whenever I feel like it, whenever I have stuff to paint on.
I’m not done being an artist – I was born that way, I’ll die that way – I am just feeling rather done with *this*.
I am going to go back to breaking my back for a living, because I’d enjoy that a lot more than watching the internet for a non-living. I am going to wrap all my works up as I make them, store them up, list a few here now and then, and show them if and when a chance to show them someplace good comes up.
My latest two pieces are painted on 8×10 inch scraps of birch. They are filled with tiny details. They are the product of free-painting, with no particular image, story, or anything in mind short of the current element leading into the next and tying in with the previous. I suppose this is leading a lot more toward the style of my older, more surreal works, and I am exploring that for a while… contemplating how I will break that formula on the next, reflecting on missed chances in the previous…. building toward something, though I have no idea what, nor do I care.
I’d say more, but I still feel that people who like to talk a lot about their work, should be spending that time working.
Think of a visual representation of a statements or concept, as a series or a single image.
Consider a style or media that would be striking, and imagine it taken to a level beyond your ability.
Research said media if it is new, and think on the concept or image for a while – but not so long that something new takes its place – because the longer this thought process, the more ambitious it should become.
Once the thought of even trying begins to fill you with an equal level of dread and excitement, begin.. even if it is after your bed time.
Don’t stop until it is looking as good you had hoped, because this is the *true* starting point. Now work to take it even further, as far as the piece demands, beyond whatever level of ability you thought you were limited by.
Walk away regularly with the image in your head, process it, think of the parts you like, the things you don’t, and things you would like to add.
Remove and go over anything you have doubts about without mercy.
Add in only what won’t crowd the piece
When you reach the point where any change will only make it “different”, but not “better”, you are done.
“Sometimes I’ve believed as many as six impossible things by breakfast”, is a good phrase to remember.
Most *Everyone* draws at some point in their life. Those who are intrigued by failure, inspired by the seemingly impossible, continue beyond the point of jagged teeth and crayoned stick fingers.
An artist should never seek to do what they already know they *can* do – and perhaps such is the evil in commissions, which are most often specified according to past works, and limited by scope. Not that all commissions are bad – an artist must accept only those that allow the artist a fair share of creative freedom, as well as room, opportunity, or even obligation to try something new.
An artist who finds himself or herself with extra money, tends to spend it exploring a new mode of art, a new mode of printing, or trying to break into some bigger and more time-involved media or project. It isn’t that we are without wisdom, we know what is wise, and choose to ignore it out of a strong and passionate love for art. Buy canvas, sell paintings, buy scanner, sell reproductions, buy printer, sell giclees, buy lithography press, sell lithographs, buy bigger canvas and better paints, sell paintings, fret over a choice between crowns or a big chunk of marble, sell sculpture, buy clove oil … some ramen noodles …and a better chisel.
When I first started the “Airships and Tentacles” series, in wow… 2006… I don’t even think that “Air Kraken” was a word yet, though I could very well be wrong. I can’t remember specifically, but given Final Fantasy’s tendency to make *some* version of every base creature for each and every environment, it would be insane if they never had some sort of airborne cephalopod in all those years.
Yes, It is foolish of anyone to believe they invented anything… logs and stones rolled down hills long before the wheel, and there is sure to be a comic book from the 60s or illustration from the 1800s with flying cephalopods *somewhere* – and a hundred movies and books in-between. I am only saying I hadn’t yet seen them in paintings, especially luminist and/or American arts-movement-styled paintings, and I thought it would be fun to add hints of in the first painting – and loved that touch enough to continue it through the series.
My airships, started with a commission for Robert of Abney Park, based on the existing designs by Eliza Gauger, which may or may not have been based somewhat on an equal interest in things such as Final Fantasy. The fun of imagination, came more in execution and styling, and moreso in the landscapes themselves. Over time, as the result of much research on bag sizes, gas content, altitude, temperature, etc… balloon sizes grew, ship sizes and engines shrank – I also started to lean more towards the stylings of DaVinci for wings and other parts – and mixed a bit of the aesthetic stylings from my favorites like Derek Riggs, Michael Whelan, Brom, Bethalynne Bajema, Gustave Dore, Pieter Breughel (E&Y), Zdzislaw Beksinski, and others wherever characters, creatures, scenery, or technology allowed.
Anyway, I wanted to do a series of what is essentially landscape art, explored by this fascinating mode of travel – as a means of adding a human element for the viewer to view through, without focusing on figures so much as to make it “character art”.
I sought to combine Lovecraftian elements and mythos with Vernian machines and aptly romanticized visions of exploration; in this, I also wanted to hide every bit of my usual dark and spooky art in such a way that it goes mostly to completely unnoticed.
The latter is most likely why this series was the first series I ever did that people *both* liked, *and* would hang on their walls (Criteria: Does not scare children, much; Does not creep in-laws and future in-laws out; Does not give the potential future girlfriend reason for pause; Does not get a cubicle-dweller fired).
I *thought* I was going to explore this into many, many other types of media – and planned to have a sculpture in wood and a sculpture in metal in the series of nothing else. But, I’ve done more paintings in this series than I intended to, and many, many engravings. The very last painting ships out tomorrow… technically that is not true, because there will be *some* of that in the Infernal device – but I am counting that as my sculpture piece to complete the series.
I’ve got one hell of a collection together in this – plenty enough for the book I committed myself to making works for. I’ll be releasing it in a time when dirigibles and flying Cephalopods have over these years become an odd sort of ‘norm’ (a subcultural standard that to most, comes out of *nowhere* for no apparent reason). The journey has been in interesting one, and I feel that alone merits the book’s release if nothing else… pending until all this Infernal Device stuff is under control.
Thank you everyone who supported the making of this series by buying prints, sharing links and such – and of course thank you everyone who continues to do so.
I really have no idea what I am going to do from here, because I have *many* ideas and will have to choose one, or combine a few – but whatever I am thinking, I am sure going to look forward to it the moment I allow myself to look forward to other things.
Right now I am looking forward to getting the first build of the Infernal Device done, and looking to make it better than anything I could ever possibly do.
In celebration of the closing of the series (okay… I really need money to get my butt to Maker Faire Detroit), I am making large giclees of the very first image from this series available online. They are 30 inches by 24 (printed area is slightly less), and they are printed on fine art rag paper. I will also sign and date these. These are not limited editions – the reason is that the metallics and canvas prints I sold as limited editions, must always remain more special than any version I put out afterward. These are prints I make available in small quantities at conventions, with no set number to be made – but they beautiful, high quality, and they are the biggest prints of this image you can get without buying one of the 4 remaining giclees on canvas.
If you would like one, these few prints are available HERE – and are only $100 until they are gone.
I made this book a while back, out of hardwood, and spent a lot of time sanding, carving, and polishing it. I also put a lot of love into making the securing system – two fat-ended brass pins to give me lots of room to fill it.
– I will fill it with every print from the Airships and Tentacles series
– each printed on a fine rough-edged rag paper
– each page annotated as the coffee table book would be, but in my own handwriting
– each page signed discreetly and numbered “1 of 1”
– each of these prints will be an entirely unique size from any editions made
– The front page will have “to [Your Name]” and my signature.
– To make it even more rare, I will make one unique work or original art to complete the piece. Yes, one page will be an original work of art to complete the series.
The Book size is roughly 13 inches by 15 inches, and will be a hefty and beautiful tome for your tabletop or shelf. You can also remove each print if you wish, to hang them, and secure the book cover away someplace safe.
It isn’t cheap… It’ll cost me about 20 bucks to print each imaged page – which means you’re getting this at no actual profit…maybe even a loss – but I am hoping that this sale would push us over that tipping edge of 50% funding. And I’ll do anything to ensure the success of our project… including this.
Yes, it will be well worth it if it sells – so don’t feel bad about grabbing this great offer and helping us to make something even bigger.
So, if you would like to have this book, it is available for a donation of $1350, as are many other great things, at our Kickstarter: HERE
$20 through our kickstarter gets you a signed and personalized print of any of the below (you’ll need to go to my gallery page to get full views… it was hell just putting this compilation of thumbnails together):
Well, it looks like I am devoting myself this year to finally finishing up my children’s book – but for now, I am working really hard at making our kickstarter successful.
We are beyond dedicated to making this happen… so much so that I stayed up all day and night putting this special drawing together (image below), which will be available in printable PDF format exclusively to everyone who donates $1 or more though our Kickstarter.
A $2 purchase of a good piece of fine art paper from your local craft store, plus this download, and you’ll have this silly piece of my steampunk storybook for your wall… $3 total investment, and no shipping.
We’ve also received an unpublished text by G.D. Falksen to add to our kickstarter offers: An Original Never-before Published Exclusive Short Story by award winning author G.D Falksen; You get a hard copy of the short story in a binder, decorated with exclusive print by Myke Amend (an illustration of the story within) – each illustrated cover HAND EMBELLISHED, numbered, and signed… making for a *very unique* work of literature and art combined.
Other offers include everything from exclusive prints from me, the Airships and Tentacles Coloring Book, the Airships and Tentacles Scrapbooking kit, Original Paintings, and other incredible offers as *much* less than regular price…
Please help us to keep this momentum going. 7 days remain, and we are nearly 30% there. Your donation of $1, retweeting, reblogging, or otherwise spreading the word of this project can put us over that hill.
Because we needed video up for The Infernal Device‘s kickstarter page, and didn’t have one, I decided to do a workshop video to talk about progress on the model. Problem being that I did not have any camera person to move the camera to key points like… I don’t know… my head, the model, the table of gears.
Still, I am proud of it – if not simply because I managed to not wear a helmet with blue spandex, nor am I waving a frisbee about.
If you would like to know just what the hell I am going on about in this video, you can see images of the parts we’ll be using, the part of the model already built, progress pics of building this drum, pictures of us and our works, and actual things about the Device and why we’re building it, details about our ArtPrize bid, all at InfernalDevice.net.