This is one of my three final commissions for this year, meaning I have two more to go before this series is done and I can finally start lay-out for the “Airships and Tentacles” book.
These have been rather slow-coming – I’ve been chomping off bits of my work list, and well, between home repair, prepping for coming conventions, keeping food on the table (web/programming work), shipping, and *still* catching up on kickstarter stuff… it all feels like ‘nibbling’, though I haven’t slowed down or stopped in nearly a year.
Anyway, I painted this one at 18×12 inches on Oak panel… you can see a few details below, but certainly not all of them. As per usual… tiny, tiny brush strokes and figures about the size of a grain of rice…
I have it imaged at 600DPI, to ensure that these details show as well as the original in printed form, and those prints are now available HERE.
There are only 10 available, they are printed on canvas at the exact same size as the original painting. As an early buyer incentive, the first two to sell are available for only $190; They’ll go back up after those two have sold.
Recently, being some several months ago or less, as “recently” tends to go for me, Hendrick’s Gin contacted me to participate in their “Curate a Box” contest give away.
Though I have been rather up to my neck in getting out the rewards for the Infernal Device Kickstarter (which when done I plan to celebrate by logging all the ins and outs of the experience into a seriously detailed tutorial), I really hate to pass up good opportunities for promotion, especially when it involves interesting new challenges.
So, in between bonding prints to wooden constructs, waiting for layers of decoupage glue to dry, refining screens for printing, and wrestling with packages, I’ve been hopping into the basement workshop and doing some work on this wooden box they sent me – the box and contents to be given away by Hendricks Gin when done, through their fascinating newsletter and blog at Unusual Times.
My plan, as with all things I do, is to make an heirloom quality and long-lasting piece, so I felt I should do a bit of added reinforcement to the original box with some fine bits of oak, birch, mahogany, maple, and/or cherry, which are the sorts of wood I prefer to make my constructs of and paint my paintings onto.
The very first step, of course, was to remove the box from the package. There was a wonderful promotional book from Hendrick’s Gin in there as well, but Insects and Angels Author and Editor Bethalynne Bajema so-loved the little book and all the artwork within, that well… she was still thumbing through the book, and I might have lost a finger if I tried to reclaim it. Anyway.. the box, above.
Another shot of the box, it’s insides just the perfect size for a number of unique 8.5×11 printings of some of my select artworks.
I plan to fill this box with:
1) At least 6 hand-signed fine art prints on a special paper and of a special size to make them one of a kind.
2) A Magickal Bag of Holding
3) A polar bear
4) A bunch of Arctic Salmon for the polar bear
5) Bethalynne says that Magickal Bags of Holding are not available anywhere around here, and are quite likely mythical.
6) An original painting, as the inside top of the box, which fits snugly but can be removed and framed.
7) Tacos! Everyone loves tacos!
8) Apparently the above is also a violation of postal code.
9) Some sort of sea monster… though a rather tiny one, made of clay and hand-painted.
10) I don’t know yet… it seems like a lot so far, so I’ll have to see what else the box can hold…. maybe some stickers and patches.
The first thing I did was to cut some pieces of oak – two for the insides of the box (one to reinforce the bottom, one to be painted and inserted into the box later), one to make for a hard and sturdy plate for top of the box.
Work Space: YeGads!! …
Above 4 photos: Ground Zero… I have been working from one thing into another for way too long. The workshop is piled in bits of brass and unsorted wood… and I am pretty sure there are some clamps and other important tools under there somewhere. I should clean up beforehand to make all of this go easier…
… ohhh… maybe after one more cut.
A thin coat of poly completes the night’s work. Tomorrow I’ll sand this down with fine paper, varnish it again, wait another day, sand it down with steel wool, varnish again, wait another day, sand with steel wool again, wax, buff, wax, buff, wax, and buff… until the box is looking very nice.
During that time, I’ll also be working on the painting to go int this box, 3 other painting commissions, shipping, and kickstarter rewards… the good thing about all these projects, is that they each have steps that involve waiting for things to dry or to set… the trick is managing that time so there is always something to do on the next while waiting on the other.
I started this, thinking I was going to take an 8×10 pencil sketch and make a neat water-colory looking piece of it, or maybe just smooth it out and make some edits.
I began by making it 16×20 at 400 DPI, and then took to smoothing out all of my pencil grainy-ness. I chose this size, because I like my works to be high resolution, and my prints to be perfect – I also always consider that I might finish a piece, and then wish I had made it available much bigger.
The downside to working digital for me, is that can I zoom in to where I can see the individual pixels when it comes to detail… I begin just doing this for one part, then realize that the entirety of the work now needs to be in this ultra-high resolution – and set off on a journey of exploring a miles-square map of pixels for.. as long as it takes… in this case, over 300 hours I really did not have to spare. I think I spent nearly two weeks planning on being done “tomorrow”.
It was certainly a way to indulge though – as an artist these days, I don’t always get the chance to put so much work into one piece – though I do put a tremendous amount of work into every one comparatively.
From pencil sketch, to over 2 gigs of file size, hundreds of layers of painted elements, plus all the modification layers for overlay, lightening, darkening, color, multiplication, saturation, etcetera…
About a day or two in, I decided it would be a great idea to actually log the process for this one… and I saved a lot of progress pics. Below, you can actually see the details of the finished piece. One thing with all of my paintings and other images: Web resolution will never let you see how packed with detail every inch is, or all of the interesting scenes, items, and mini-artworks semi-hidden throughout the painting.
Below that, I’ve added my progress pics – for people who are interested by such things.
A rather rough sketch… these were quickies done for $25 a pop for bus fare a year or so back. The paper type really did not allow for erasing, so they were one-shot deals. I liked the concept and base layout enough, I thought I would do some digital work on it to make it print-ready.
A lot of steps went by before I realized it was going to be a much bigger project than I planned. It was the point where I was fleshing out this airship where I decided some screen caps would be good. I had started on the girl, switched to the airship, cut my pencil work out to its own layer, and placed other airships where I wanted them, as placeholders for the sake of layout.
I blacked out the girl for this stage, I didn’t want its pencily quality drawing my focus from the background I was working on.
head/face. This part took all of my night – so not much else has changed.
boots and leggy things… I put a lot of base work into this, then decided I would need to enlarge the feet, and widen and lengthen the lower legs. I write notes to myself whenever there is something important I want to hit first thing the next day… you’ll see these notes in other screen caps below.
The very beginnings of the holster and belt… I would later go in further, and further, sharpening up these details, then making details within these details… and sharpening those up. Oh, you can also see the base/beginning brushings of her stripey-pants.
Painted in acrylic on tempered hardboard backed with birch, 12 by 24 inches – added to the airships and tentacles series because I might as well – since the book is not yet compiled and won’t be in time for Holiday selling.
I’ve been having a rather not so spectacular month – with lots of things I need to catch up on, and sickness, fatigue, and finances getting in the way at every turn it seems. Christmas season is always terrible on artists, especially us for some reason – and we hoped to be on top of it this year by finally offering calendars and greeting cards… all we ended up doing was using a lot of valuable time laying these things out – and though I closed down most of my store to get people to shop over there, I think all I have done is to cut ourselves further out of holiday sales.
When there is nothing else I can do, I paint – and this one is the product of a few multi-day – never leaving my table except for restroom breaks – sessions.
The original, since it is already made, can ship immediately, but the giclees cannot ship before the 20th… making them scary last minute gifts, especially with all the last minute and overdue shipping I need to catch up on.
If this painting sells, I will be super happy, and able to catch up on many things, I’ll even be able to visit family for the Holidays – which would be super-awesome.
If it doesn’t sell by then, well, I’ll mark the thing back up to $2400 or more, and just count on it to sell when it sells.
I started this piece as a pencil sketch for The Borgia Popes, an Ohio band, from the Cincinnati post-punk scene in the 90’s, for use in their album cover.
I wanted it to have a very Beksinski feel to it, dark, brooding, and mysterious. Zdislaw Beksinski was a great influence on my art, and one of my favorite artists to this day – I could say the same for many of the post punk bands from the mid 80s to late 90’s, and it seemed like this combination would be a perfect mesh.
At first, I was going to do the pencil sketch only as the cover, do some adjustments to lighting in photoshop, maybe a bit of blending – but I felt this piece was demanding more, and so I took to digitally rebrushing and coloring the entire thing.
Anyway, here are some pics of the piece from beginning to end – I wish I had saved more pics from the middle of the process, but it pretty much went from sketch to almost done in the course of a day… and then teetered on the brink of being *really* done, for days and days after.
Prints and posters of these are available at RedBubble [here], I am also selling 10 Limited edition full sized and hand-embellished prints on acid-free fine art paper [here].
Like all of my giclees, they will be available for a limited time, and, if any are left – they’ll be available again a year or so down the road when I decide to re-offer them.
It includes *new* things, like an Airships and Tentacles Calendar, tee shirts, hoodies, onesies, iPhone cases – and it includes the old and current: My artwork in printed form… though with a much smaller price tag than before… even better… there is a Black Friday sale going on, and they’ve reduced a *lot* of things 25% or more :)
I’ve done this because for a while now, I’ve had a lot of great and wonderful friends, buyers, supporters, and dare I say it “fans” tell me that they love my work, and wish to buy a print when they can *afford to*, wishing I offered posters to fit the sort of budget that, well, 99% of us have to live within these days.
Seriously: A chance to offer prints the full size of the original work, and even bigger, for less than what my standard prints would cost at half size, appealed *greatly* to me, and I had to go with it. I hope you too will appreciate this move.
I will still continue to offer the more high-end limited edition giclees, and art originals in my own store, and at conventions, but the new setup allows you to order, have 24/7 customer service, and have your product shipped by people who are not so tied up in road trips to visit family, conventions, shows, and just trying to make ends meet… I.E. better customer service than an artist type with out of state family to see can offer during holiday season.
I’ve also wanted to be able to offer more shirt designs, and in more sizes hand just what I have on hand or can afford to run up, and to be able to offer those designs on a variety of shirt colors, and shirt types, even Hoodies, onesies, kids, shirts and the like… without sacrificing quality and offering the crummy sort of iron on or inkjet printed shirts that are the standard for “print on demand”.
Well, the technology finally caught up… or at least so much so that a graphic design whiz like myself can make fully transparent designs, to be printed in the quality inks you’d expect from screen printing, directly onto the garment. You can order shirt designs on shirts or hoodies or onesies, on the color of your choice, and even choose whether the design is printed on the front or the back.
I’ve also designed a full “Airships and Tentacles” Calendar, with all of my steampunk airship paintings; There are IPhone cases too, and stickers.
To see more you can view the slideshow below (slower), or go directly Here (faster): My RedBubble Store.
I’ve been invited to be a guest, along with my artwork, on the set of a reality TV show filming in NYC – which may turn out to be a great opportunity for me.
But, as things with artists go, the first opportunity in any opportunity is the opportunity to spend a great deal of time and an insane (for an artist) amount of money on framing and packaging up artworks, and shipping them off to the destination.
Now that that part is done and over with, with 7 days to go, I am focusing on getting fare together, so I can for 22 hours be squeezed into a tiny seat, wedged between other insane people, listening to tutorials on making “shivs” out of toothbrushes, stopping briefly at places where “food” is a $5 bag of chips from a vending machine, and where people with long tangled beards take showers at sinks, and argue with invisible people and toilet fixtures.
You can help me to fulfill this lifetime dream of riding in the lap of luxury on a Greyhound bus, again – exploring the wondrous world of leg cramps and fragrant bus terminals – just throw $1, $3, or whatever you feel this is worth my way.
If I make my goal, I will gift to the world some artworks in downloadable form. They will be pieces of mine which are originally 8×10 inches – that way you can get a full size download – and as good of a print as your home printer or preferred printing service can make. If I make much more than my goal, that gift will get even bigger.
Anyone who donates $25 or more, will get a special greeting card set (10 cards with my airships and tentacles artwork on them, printed on heavy card stock, to send or to keep). Those cards will ship out sometime before or near Thanksgiving.
My goal is $300, but more means foods, bottled water, bus fare, subway fare, cab fare, etc for my stay… If I make less… well, at least I’ll get to the destination. It’d be extra nice to make it back – and regardless, whether I make the full amount, or well-over: This is a chance to get some swag and unique holiday cards.
*** Edit *** I now have my tickets *to* NYC in hand. Tickets *from* NYC to home are another matter, and hopefully that comes together. Cab fare, local bus fare and train fare, meals, are all things I’ll be able to do if I go over $300. … Yes… this is the life of an artist… in many books, on many covers, even on TV shows and news… yet… yeah, a whole lot of, this. Thanks for helping out.
( flash required to view this chip in module – Sorry Iphone/Ipad users, I didn’t realize it was flash-only when I set it up )
Yeah, I know, people have gotten pretty used to me making with the fantastical steampunk stuff – but there are a lot of times when the things in my head aren’t exactly in the genres I’m known for, often times these things aren’t exactly things people would want hanging on their walls, or even like.
That, is perfectly okay.
I took a 6-month break from showing anything new here – not that I stopped creating, but I was building big things, painting big murals upon them, working large scale in everything from the art itself to the undertaking as a whole… I managed 7 new paintings – each 3 foot by 7 foot, and can’t show them right now as I have no budget for imaging them.
I’d like to say I am working on something even bigger than that, but I am working smaller for a bit – less over the top, less fantastical, less with the huge.
… Some of this, is because the project, and all that time, really tapped me out emotionally, physically, and otherwise – I may have shot my life completely down the tube, I don’t know – I’ve lost my faith in humanity save for a small handful of people I met and worked with during the process, and have lost all hold on any illusion that there is any hope for a real arts scene or art happenings in the town I am currently living in and my thoughts in general on art as a living: expletive filled and feeling rather final.
Until I find a job, hopefully something good and hands-on, blood and sweat and not having to deal with people variety… landscaping, construction, etc…
I guess I still have to do whatever I can do, manage whatever I can manage, every day, regardless – so I do what I can do, which is painting, on what I have available to paint on.
I’m finding bits of board and unused canvas around the house big enough to do paintings on, and painting away for no one and no reason in particular.
I think some might call this “freedom”.
If you liked the sorts of things I spent the last few years painting – well, there were ways to express that – Just downloading images, wasn’t it.
But, for those who missed all the oddness and ugliness… well, it seems that I am back in that regard, and will paint new things, whenever I feel like it, whenever I have stuff to paint on.
I’m not done being an artist – I was born that way, I’ll die that way – I am just feeling rather done with *this*.
I am going to go back to breaking my back for a living, because I’d enjoy that a lot more than watching the internet for a non-living. I am going to wrap all my works up as I make them, store them up, list a few here now and then, and show them if and when a chance to show them someplace good comes up.
My latest two pieces are painted on 8×10 inch scraps of birch. They are filled with tiny details. They are the product of free-painting, with no particular image, story, or anything in mind short of the current element leading into the next and tying in with the previous. I suppose this is leading a lot more toward the style of my older, more surreal works, and I am exploring that for a while… contemplating how I will break that formula on the next, reflecting on missed chances in the previous…. building toward something, though I have no idea what, nor do I care.
I’d say more, but I still feel that people who like to talk a lot about their work, should be spending that time working.