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The Hanging Gardens

This is one of my three final commissions for this year, meaning I have two more to go before this series is done and I can finally start lay-out for the “Airships and Tentacles” book.

These have been rather slow-coming – I’ve been chomping off bits of my work list, and well, between home repair, prepping for coming conventions, keeping food on the table (web/programming work), shipping, and *still* catching up on kickstarter stuff… it all feels like ‘nibbling’, though I haven’t slowed down or stopped in nearly a year.

Anyway, I painted this one at 18×12 inches on Oak panel… you can see a few details below, but certainly not all of them. As per usual… tiny, tiny brush strokes and figures about the size of a grain of rice…

I have it imaged at 600DPI, to ensure that these details show as well as the original in printed form, and those prints are now available HERE.

There are only 10 available, they are printed on canvas at the exact same size as the original painting. As an early buyer incentive, the first two to sell are available for only $190; They’ll go back up after those two have sold.

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Blue Things

Yeah, I know, people have gotten pretty used to me making with the fantastical steampunk stuff – but there are a lot of times when the things in my head aren’t exactly in the genres I’m known for, often times these things aren’t exactly things people would want hanging on their walls, or even like.

That, is perfectly okay.

I took a 6-month break from showing anything new here – not that I stopped creating, but I was building big things, painting big murals upon them, working large scale in everything from the art itself to the undertaking as a whole… I managed 7 new paintings – each 3 foot by 7 foot, and can’t show them right now as I have no budget for imaging them.

I’d like to say I am working on something even bigger than that, but I am working smaller for a bit – less over the top, less fantastical, less with the huge.

… Some of this, is because the project, and all that time, really tapped me out emotionally, physically, and otherwise – I may have shot my life completely down the tube, I don’t know – I’ve lost my faith in humanity save for a small handful of people I met and worked with during the process, and have lost all hold on any illusion that there is any hope for a real arts scene or art happenings in the town I am currently living in and my thoughts in general on art as a living: expletive filled and feeling rather final.

Until I find a job, hopefully something good and hands-on, blood and sweat and not having to deal with people variety… landscaping, construction, etc…

I guess I still have to do whatever I can do, manage whatever I can manage, every day, regardless – so I do what I can do, which is painting, on what I have available to paint on.

I’m finding bits of board and unused canvas around the house big enough to do paintings on, and painting away for no one and no reason in particular.

I think some might call this “freedom”.

If you liked the sorts of things I spent the last few years painting – well, there were ways to express that – Just downloading images, wasn’t it.

But, for those who missed all the oddness and ugliness… well, it seems that I am back in that regard, and will paint new things, whenever I feel like it, whenever I have stuff to paint on.

I’m not done being an artist – I was born that way, I’ll die that way – I am just feeling rather done with *this*.

I am going to go back to breaking my back for a living, because I’d enjoy that a lot more than watching the internet for a non-living. I am going to wrap all my works up as I make them, store them up, list a few here now and then, and show them if and when a chance to show them someplace good comes up.

Anyway…

My latest two pieces are painted on 8×10 inch scraps of birch. They are filled with tiny details. They are the product of free-painting, with no particular image, story, or anything in mind short of the current element leading into the next and tying in with the previous. I suppose this is leading a lot more toward the style of my older, more surreal works, and I am exploring that for a while… contemplating how I will break that formula on the next, reflecting on missed chances in the previous…. building toward something, though I have no idea what, nor do I care.

I’d say more, but I still feel that people who like to talk a lot about their work, should be spending that time working.

Good night.

Same Deep Water as You
Same Deep Water as You
Deeper
Deeper