Not the greatest scan… alright, it is a shite scan. But, I killed the big scanner and the Lexmark scanner is never good for anything save for documents. So, the subtle clouds and color in the sky are somewhat washed out, and some detail is lost as well.
Regardless, being wallpaper and all, I figured it’d at least give you a chance to preview this image whilst I work to make what I need to get a good scan of some of these recent works.
It took me forever to settle on the right cropping for this one, but I managed – much of this due to regular requests to make this one available.
This painting features Abney Park’s trademarked HMS Ophelia, and was commissioned by Captain Robert Brown of the famed steampunk and retro-future band: Abney Park.
New wallpaper made from a crop of an older work. I’ve been reworking the file tonight for some giclee printing, and decided I’d like to have it as a desktop, and of course am sharing:
This piece is somewhat based on my collaborative work with Bethalynne Bajema … That 30 foot x 10 foot mural we have sitting in our garage awaiting a studio space to display it in.
The mountain city-scape in this picture is *heavily* influenced by her creations, as well as my desire to see them as functional parts of a mountain landscape.
By this date, the only thing I can offer Holiday delivery on are original works of art (paintings, sculptures, engravings, woodwork, etc…). Gift Certificates however are available for my site via paypal, and a perfect gift -especially if you were wanting to give something from my store, but not sure what. The below link will take you to the page for purchasing a printable (or email-able gift certificate).
Originals can be found via the right-hand column (store Category: Originals), plus I am adding a few previously unlisted originals to the mix, tomorrow (December 19th) … as long as I find that blasted camera anyway.
Long story short: The Rescue 11×14 Metallic prints are on sale for only $24 through Mid-December [here]
I am at month 7 of trying to get an issue resolved with the printing company who used to be my favorite. 7 months of getting no response back here or there, or a simple “cut and paste” via phone or email.
Their customer service has recently upgraded to an email here or there, and actually trying to sort the problem out, but mostly a lot of “I’ll be in touch tomorrow”, followed by a 2 day wait and me trying again.
Fortunately, I found another company to order through… though this did not help me much for SteamconII, the World Steam Expo, or the 7 months of added expense/time ordering elsewhere, printing locally, and/or looking for other elsewheres to order from…. the prints are every bit as beautiful as the sort of quality I once expected from my former printing company (though they cost me about double if I don’t order in bulk).
Of course all this chaos had to be happening during Holiday rush, and I neglected to put up any sales…
I am at the point where, in a few days (December 15th), it will be too late to order from me and expect your gift orders to arrive in time for gift-wrapping and giving.
… Except…
I plan to order a huge re-stock on 11×14 Metallics of “The Rescue”… that pesky best-seller I wasn’t able to send to Steamcon this year.
So, if you already have this print but would like to give one to someone else, or if you haven’t yet gotten one for yourself, I am selling these for only $24 through December 16th, maybe till December 20th if supplies on-hand hold out.
Since it is so cold in here, that paint won’t even properly cure, I’ve decided this week to revisit a number of those things I put on hold over the summer, things which needed some digital treatment to be complete.
This illustration is a scene from Dexter Palmer’s novel “The Dream of Perpetual Motion”, originally done for web resolution, I have had this piece slated for repainting for some time now, and finally I’ve finished it, and on a big scale- since it was my very favorite from the set.
This print is finally available as a *huge* 16×20 inch giclee on fine art rag paper (here), and as an 11×14 metallic print (here).
This piece was done earlier this year in pencil on bristol board; It was my intention to color all of these after the World Steam Expo, but one thing led to another and – well, I finally have this once all colored up.
The 11×14 black and white giclees of the original pencil drawing are still available (here), and there are only a handful of those left, but now available are 30 of these colored ones (here) – same size, printed in pigment inks on same high quality fine art rag paper. An open edition 8×10 metallic is also available (here)
The Destination 1111 show gave me the opportunity to show a number of works that I hadn’t previously been able to show at any official showing or convention.
Speaking of which, I now have several current and ongoing art displays running, which I recommend if you are in the Massachusetts, Northern California, or Illinois area; They are at: Gallery Nucleus (Alhambra California), The Charles RiverMuseum of Industry and Innovation (Waltham, Massachusetts), and Gallery Provocateur (Chicago Illinois *beginning October 30th*).
Some of the works I showed at Destination 1111 dated back as far as ten years ago, one or two have been available here as prints for a while, but there were a handful of them which I had never been able to offer here, and was unsure whether to offer here. Not that life for me has ever been all that easy, but several of these pieces were from an exceptionally rough time, which made me hesitant to show them … But, given their reception at the 1111 show, and because they were widely requested, I finally decided to have them imaged.
This week, Jim Gebben, an extraordinary photographer from Grand Rapids, who I met during our Artprize run, spent some time taking some fantastic high res photos of my non-imaged works – so, I am not only finally able to offer prints of these, but finally able to offer some more originals as well.
An experiment in color, recently completed as a commission for Mike Skoog, wherein he asked if I could do something small enough for his music room, and more colorful than my standard muted palettes.
I went the more impressionistic route with this one, and instead of starting with the colors as I wanted them, I started with the nearest primary colors in their place, and worked downward in saturation and sideways in hue, until I reached this point.
Details are painted so incredibly thin, that I practically painted them with the very corner of a single hair, dropping molecules of paint in a line for stitches and ropes and other details. In this, I am reminded that working smaller is actually harder, not easier, because I still feel compelled to add my standard amount of detail…but in a smaller space (which means eye-strain and neck cramps in spades, and a more time-consuming work).
All the same, sometimes I like working small just for the opportunity to test my patience and practice my hand.
That was the second to last of all the commissions that remained on my plate before Artprize… one more to go, then I am my own man until I sell another…
Signed and dated giclees of this are available for only $25 here for a limited time, or $30 through Etsy
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