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Desert Shadows – Now Available (in my store)

I reached the point where I *wanted* to add “just a little bit more”, but typically, as one learns over thousands of years of banishment to Earth, this is the point where one more brush stroke equals “overworked”. I waited about fifteen minutes just staring at the thing, and was happy with my decision.

Taking photos of paintings in artificial light don’t tend to yield the most spectacular results – there is a slight color shift seen from one edge to another (especially visible on the full shot). I’ll be getting it professionally scanned while I am away, proofing it when I return on the 29th, and since my printers are local – I’ll be able to start shipping these around January 11th.

They are however available now, in large limied edition metallics, limited edition giclees on canvas, and medium-sized open edition metallics (18×12 inches).

A bit about the painting:

I wanted the sphynx to be foreboding forgotten monolith, but I also wanted it to look “alive”, so I decided to put the tentacles emanating from the portal in the sphynx, putting the one winding around the back in the position a cat’s tail would be in were it thinkiing about ‘pouncing’.

In the shadows of this painting, are a night sky – something to dress up the dark spots, and to fulfill the need I had to make a starry sky out of my cloudy lightning-filled sky.

Desert Shadows (photograph of painting)

These weird shell things- I wanted rocks, but did not want them to be boring old rocks, I also wanted the desert to look almost as if it were a dried out ocean… so these fossil-like shell-like patterns in the stone served to fill these needs.

The lightning field – The way I wanted everything to be lit, required that lighting was coming in varying levels from many angles. I also love lightning. The floaty cages are a throwback to back when I did purely surreal artwork… and I thought they would add a nice ‘living’ touch to the landscape without ruining my desolate scene with actual plants.

ert Shadows (photograph of painting)

Lanterns everywhere – this one in the netting and reflecting off the portal window. A view of the coal bin, lightning field, floating cages, and propellers as well.

Oh… the nautilus. The nautilus-like submarine from “the Rescue”, now beached in the middle of the desert. Why??? … umm… Don’t tell me how to run my painting! It was a whim!

ert Shadows (photograph of painting)

Gondola – and lots of netting. More fishnet than a goth club on a Summer night. It serves well as extra cargo space. Ladders and doors for a sense of scale.

ert Shadows (photograph of painting)

The whole painting. Please forgive the obvious color shift from right to left, it is the result of uneven lighting on the painting when I took the shot.

ert Shadows (photograph of painting)