Posted on 1 Comment

Black Ships Ate the Sky

I started this, thinking I was going to take an 8×10 pencil sketch and make a neat water-colory looking piece of it, or maybe just smooth it out and make some edits.

I began by making it 16×20 at 400 DPI, and then took to smoothing out all of my pencil grainy-ness. I chose this size, because I like my works to be high resolution, and my prints to be perfect – I also always consider that I might finish a piece, and then wish I had made it available much bigger.

The downside to working digital for me, is that can I zoom in to where I can see the individual pixels when it comes to detail… I begin just doing this for one part, then realize that the entirety of the work now needs to be in this ultra-high resolution – and set off on a journey of exploring a miles-square map of pixels for.. as long as it takes… in this case, over 300 hours I really did not have to spare. I think I spent nearly two weeks planning on being done “tomorrow”.

It was certainly a way to indulge though – as an artist these days, I don’t always get the chance to put so much work into one piece – though I do put a tremendous amount of work into every one comparatively.

From pencil sketch, to over 2 gigs of file size, hundreds of layers of painted elements, plus all the modification layers for overlay, lightening, darkening, color, multiplication, saturation, etcetera…

About a day or two in, I decided it would be a great idea to actually log the process for this one… and I saved a lot of progress pics.  Below, you can actually see the details of the finished piece. One thing with all of my paintings and other images: Web resolution will never let you see how packed with detail every inch is, or all of the interesting scenes, items, and mini-artworks semi-hidden throughout the painting.

Below that, I’ve added my progress pics – for people who are interested by such things.

Oh… if you would like to buy printings of this: There are giclees available in my store – There are also poster prints and photographic prints available at our Redbubble shop – Also in my DeviantArt account.

Image and details:


Progress Pics:


A rather rough sketch… these were quickies done for $25 a pop for bus fare a year or so back. The paper type really did not allow for erasing, so they were one-shot deals. I liked the concept and base layout enough, I thought I would do some digital work on it to make it print-ready.


A lot of steps went by before I realized it was going to be a much bigger project than I planned. It was the point where I was fleshing out this airship where I decided some screen caps would be good. I had started on the girl, switched to the airship, cut my pencil work out to its own layer, and placed other airships where I wanted them, as placeholders for the sake of layout.

I blacked out the girl for this stage, I didn’t want its pencily quality drawing my focus from the background I was working on.


head/face. This part took all of my night – so not much else has changed.


boots and leggy things… I put a lot of base work into this, then decided I would need to enlarge the feet, and widen and lengthen the lower legs. I write notes to myself whenever there is something important I want to hit first thing the next day… you’ll see these notes in other screen caps below.


The very beginnings of the holster and belt… I would later go in further, and further, sharpening up these details, then making details within these details… and sharpening those up. Oh, you can also see the base/beginning brushings of her stripey-pants.

… and done.

Posted on

Sorry Charlie

One of several possible layouts or poses for his sculpture
Sorry Charlie - fine art sculture by Myke Amend

He came to the surface world, wondering where all the food had gone, but there were no fish to be found on land.

There was however an abundance of two legged meat-things… they tasted somewhat like seals; Perhaps even enough to save his kindred, and maybe enough to last till next season.

All he knew, was that he had to return to tell the others, but maybe after just one more meal or two…

All pieces were sculpted, hand-painted, silver-leafed (cans of tuna), and hand-varnished by Myke Amend and come as a set. The wood barrels and scrapbooking paper aren’t included, but could be if you really want them.

Sorry Charlie - fine art sculture by Myke Amend
One of several layouts fo rthis sculpture

One of several possible layouts or poses for his sculpture; I envisioned it with Charlie on top of the crate looking up pitifully, with a few old cans of tuna laying about the scene (as above), but I really have a hard time choosing just one. There are more images, including closeups on the Etsy Page at ettadiem.etsy.com.

The set includes Charlie the sea monster, 3 tuna cans, “wooden” (polymer clay) crate, and crate lid:

“Charlie” is about 3.5 x 2 x 2 inches. His eyes are made out of brass, and all scales, shading, and countershading are hand-painted on.

The Polymer Clay crate is roughly 4.5 x 3.5 x 3.5 inches.

Tuna cans are tiny… really tiny.

This is a fine art sculpture, and is *not* a toy. It is *not* intended or recommended for anyone under the age of 18.

I put a lot more work into this than I expected to. My first thought was to make something quick I could sell for $40 or so, but then I decided to use brass for eyes, then to hand-brush and shade scales onto him, then to make the crate out of clay instead of weed, then silver leafing the tuna cans for a more realistic look… I’d sell it for $300 for all the work that went into it, and its uniqueness (only one of its kind), but right now it is up for $145 on Etsy.

We are putting a lot of time and resources into our Artprize bid… a $5,000 estimated expense, between 5 people who can barely scrape together a handful of change (i.e. artists, post-July,2008). So, if you want to make good of our situation, this sculpture is available online until we have the fundraiser/teaser for the event – in which case it will be on sale there.