Posted on

New Limited Edition Giclees

New for summer is an extensive collection of engravings as limited edition giclees on Hahnemuhle fine-art rag paper format.

Each giclee has rough straight-torn edges and a border of 2.5 to 3 inches of this beautiful rag paper, making for an additional 5 to 6 inches in each direction – meaning more wall coverage.

Each these bold limited edition giclees are enlargements of the original highly detailed engravings, showcasing the fine linework and detail within each piece, and making for a wonderful block-print appearance.

Cute Thulhu Against Shiny Gold Stars
Cute Thulhu Against Shiny Gold Stars

To go straight to the prints from engravings, simply choose prints(engravings) in the catalogue listing (right), or click here.

*Also: for those who like to collect mini prints and small prints for scrapbooking purposes, those are next to come… an entire line of every artwork from this site (and some not yet here) will all be available in sizes of 5×7 or smaller.

There are many items now added to the now-better-organized store, and many more items to follow. Please continue to check in this next 7 days.

Posted on

Damnit… Now look where the earth is :/

Sabicu
Sabicu

This is a work in progress – oil on wood panel. You can see a closeup of the airship here: here

The airship within is done from an earlier engraving; I wanted to see how “the Sabiku” would look in something other than straight lineart, and I am glad I decided to do so. I have come to really like this piece.

It has taken me a while to do; An extended winter (and the resulting lack of ventilation), made me lean on the acrylics for quite a while, and I found that when I returned to oil panting I had developed a lot of habits and methods that were not oil-friendly.

Not that I am nearing the finish line, everything is finally coming together, I think I have at least some of my technique back.

If you have seen my art over the past year, you might say to yourself: “Wow – he really loves airships”…

Though I do love working in this strange fiction/science fiction/fantasy vein, and though the airships do make for a good mode by which to explore these worlds and a decent centerpiece – it was not my intention at first to do so many of them.

I often realized that my subject matter, styles, media and the like were all over the place: I might work digital one day, paints another, an engraving on another day, a sculpture, a wooden box, some brass trinket – one week would be horror pieces, another would be figurative art, another would be monsters, another devices – and my styles varied in more ways than media or subject matter.

This may sound interesting to some… but galleries however like unified themes when it comes to shows, and so do publishers.

Most anyone who saw a collection of my past work, had none of it been signed, would think it was a collection from at least twenty different artists… which I suppose, in some fashion or another I am… though I am not nearly as fragmented as I was several years ago.

And since I had a number of people writing me, wondering if I could do a commissioned painting of an airship in similar style to the one that started this all off, I decided, spur of the moment, that selling those commissions would be a good way to make it home for a family emergency – they all sold within an hour or two of putting them up, and I have been working on them ever since.

Having an anticipated collection and theme laid out for me is nice, because forces me to stay somewhat on target, but it also forces me to use my imagination and improvise in ways other than technique, media, style, theme, message…

It has been interesting – but I’ll be glad when the last of these are done.

BTW – If you like this one as it is, I made 10 prints, because Beth likes this one as it is. There will only be 10 – I suppose that makes them very limited. The rest will be based on the finished piece. I don’t want them around by the time the piece is finished, so I am also pricing these 10×10 signed metallic prints at $22 – and to add, their shipping is free with the purchase of any other item in our store.

If you want one, you can grab one over on our Etsy Store or in My Store

Posted on

A Glimpse

This is a rather unique print, printed at 12×12 instead of 24×24 – If it hasn’t sold, it is available here

It is the proof from the printers, one of four artist’s prints. Two are this size, two are normal size.

It is also, were I to put preferred darkness and saturation on a percentage, at about 98% perfect – slightly lighter than I want the prints to be, but pretty much unnoticeably so.

These test prints are all a part of the process, and I am told that these slightly different from the others, being a part of my working process, are probably worth more to some people.

This is my first time stretching and mounting one of these prints on my own. I hand made the stretcher bars that hold it, though I could probably have picked up 12 inch stretcher bars for 79 cents a piece – it was late night, and I rather like making things by hand anyway when I can.

I am trying things like these, because right now, my markup is really low and I still feel guilty for not being able to make things more affordable for those who like my work.

So, I am trying new ways to cut costs: Stretching and mounting these through hobby lobby or someplace similar saves money (hence the price cuts over the past month). Not only did the printers charge me a good deal for the stretching and mounting, but the shipping gets really expensive when shipping a box that is 40-some inches by 20-some by 3.

Stretching them myself saves a little more still, which allowed me to reduce prices again this last week – and I went one further by offering unstretched prints on our etsy store for “The Rescue”. That way people can purchase these for less, and – rather than paying $30+ for shipping, can pay $6 for shipping, and $24 at hobby lobby for stretching, or $8 to stretch it themselves.

If such proves to be popular, I will probably do the same for every giclee.

Posted on

Sale… FROM BEYOND!

If it wriggles, flaps, waits beneath the sea, or devours sanity, it is on sale this week in the store or on Etsy.

Newly introduced are the limited edition giclee on canvas and open edition metallic of “The Antarctic Experiment”, and also an 11×14 metallic version of “Thulhu”!









Posted on 2 Comments

Bajema

Bethalynne Bajema, my fiancee, has been working diligently from her hospital bed – as the result of a recently attempted coup executed by her nefarious organs earlier this week.

In this time, sustained only by gallon-sized bottles of earwax-flavored liquid chalk, she has managed to put up a sizable portfolio on her site, including many of her standalone works, and almost the entirety of each of her more recent series pieces, including her Sepia Stains Tarot (Or as I like to summarize it: “the Neovictorian Pinup Tarot”).

You can go directly to this portfolio by going to ettadiem.com/bajema. There, you may also find some interesting things to invest in – those proceeds of course going towards evil scientists, their attempts at reading her mind with giant magnetic contraptions, and various types and forms of mysterious alien probes.

Dead Teddy Bear Picnic
(c) Beth Bajema
Vogel’s Reading Machine
(c) Beth Bajema
Cthulhu Crush
(c) Beth Bajema
As Above So Below
(c) Beth Bajema

(c) Beth Bajema

Posted on 2 Comments

Antarctic Experiment

“All in all, the experiment was a brilliant success, though it ran for a shorter time than desired.

The Resonator had to be shut down prematurely, else we might not have had enough crew to make it comfortably back to port. Over forty Russian tribesmen bravely gave their lives to science this day – a terrible tragedy as they will surely be expensive to replace.

Also lost was an entire crate of ether, carelessly dropped from the edge of a berg in the midst of today’s activities – a tragedy on so many levels.

Nevertheless, we saw many wondrous and splendid things this day: creatures and landscapes from the aether danced and swam about us through the air, and we saw the laws of our world temporarily suspended by those of the aether world.

It leaves me to wonder: How closely does the placement of their world correspond with ours? Are these same creatures to be found elsewhere on our planet, or would we perhaps find other inhabitants should the machine be tested in new locations?

What sorts of variants or unique beasts might we see in other locations such as Beijing, Hong Kong, Indonesia, London or perhaps even New York City?

Needless to say, I am beyond eager to see!”

– Professor Aden M. Kemy, Miskatonic Archivist

This giclee, commemorating the event is available while supplies last, in three limited editions of 50: A giclee on Canvas, an archival pigment ink print on heavy metallic stock, and a fine-art rag paper print. All of which 24 inches by 24 inches – the size of the original painting by Myke Amend.

First available, is this limited edition giclee on canvas, printed in archival pigment inks on 200-year archival canvas, coated in a UV-protective and scratch-resistant coating, stretched and mounted for framing.

It comes with a watermarked hahnemuhle certificate of authenticity printed on fine art rag paper, with a matching and serial-numbered hologram on both the back of the giclee print and the certificate. All giclees are hand-signed and numbered in paint (see the signature on the image) and also signed, dated, and numbered in archival ink on the back of the mounted print.

It can be found here: In the Store

Related:

Cute Piglet Squid on Cephalopod Tea Party

Monster Filled T-Shirt design featured over on SuperPunch

Posted on

Thoughts for this morning

I have this piece of artwork, pretty much done – but as with all such projects, the closer one gets to being done, the slower the process gets.

Having spent so much time on it, I feel it would be a shame to not make it the very most it can possibly be, hoping I have the sense to stop before making the piece ‘overdone’.

Mostly, I am doing fine details right now: Distant ropes with details which could not be thinner without splitting the atoms that make up the colors I am laying down, lines thinner than a single stray hair hanging from the brush. The very edge of that single hair, the only thing I am allowing to touch the surface.

It struck me, while sitting outside for a break, staring off into the soft and fuzzy world around me – what strange things I am doing to myself in this…

My eyesight with my current glasses, which are now 7 years old and thoroughly scratched throughout, is around 20 over 140, at best. I drive much the way a t-rex would, were t-rexes allowed to drive in America, sorting out the shapes around me through movement – that movement allowing me to reason out shapes and distances in my head, creating a virtual world in which to drive, which has about the same resolution as “Battlezone” on the Atari 2600 (T-Rexes love atari 2600).

Still, on the highway or on the side streets, I weave in and out between the enemy cars with little difficulty – practice makes perfect.

I hate to admit this is a driving factor in my padded hues and softened worlds, but it is a likely cause; though I can easily read all of the micro print in any denomination of bills, and with my eyes follow the finest clusters of nerves beneath my skin, the world two feet or more away is made of peach fuzz and soft cotton – including any reference I could have on my screen or on my wall… perhaps another reason I never use reference images at all… though I prefer to say that it is better to imagine than to copy.

Though from my memory, I know the world is actually crisp, jagged, and dirty – it is not the world I see in my head, it is not the texture within my dreams, or my thoughts – but a foreign world, a strangely filtered version of existence, that no longer seems correct to me. I often wonder if, when I buy a new pair of glasses, if doing so will throw me off. I suppose this is one of two reasons I wouldn’t go for surgery, the other being that gambling with vision is an extra scary thing for one who makes a living on visual art. Also, the thought of watching a needle going into my eye, gives me bad flashbacks of my time as Flash Gordon.

I’ve decided, aside from more details, pushing the darks and lights for separation and depth, the piece needs something more… something to close in the design on one side, something to open up the design on the other end. It is already my favorite painting – but perhaps, as I said before, this is why it deserves just a little more attention.

The printers will be open tomorrow, and with luck, I’ll be taking this piece back in for a final scan, ordering artist’s prints, and if everything comes out fine – shipping this one out.

Today, I am 13 days past the day I expected to be shipping it; The other two are also running later than expected, but I can’t wait to get the next one out and start sketching the one after. I have another commission penciled in for September now – and since I really want to get the children’s book in stores by October – that commission will probably be the last for this year unless someone offers me more money than I would feel right in taking.

I did terribly at promoting my comic book – perhaps a lot of that had to do with the stock market’s bottom falling out the very day I released it. From there I kept waiting for a better time for promoting frivolous things, and that time never came. I never submitted it to publications, though Comic Related offered to review it anyway (they never did though), I never spammed people with it, well because I don’t spam people with anything outside of announcements on on my blogs, and I think my chief selling point was “it is this hideous and terrible thing you’ll be ashamed to laugh at”… And though I signed up for several conventions, I think the outcome would have been much better if I actually showed up at those conventions, and brought the book.

… Anyway, all those things I did wrong, I do not want to do the same with the book, because that work is more inspired, more a labor of love, and less …less purposefully hideous/silly/offensive.

I realize I am wandering from topic to topic, but I have been up all night.

I guess what I am trying to get at, is that I wish I were awake enough to drive for tacos. Flash Gordon loves tacos, so do T-Rexes.

Posted on

Side Project

There will always be side projects here or there.

These are things that happen when I have been sitting at the easel or desk too long, or …waiting on files to get back to me from the imaging service. I hate weekends, they only inconvenience those of us who have an evil and sadistic boss n place of ourselves.

The other day, I decided to drag out the dremel and get to work on my goggles. The finished piece will be solid brass, except for the straps and a bit of padding on the ridge. I want them to be able to survive a nuclear blast, just in case. I think I also want them to have hinged covers, much like those worn by Victoria in my comic book that no one reads, also seen in my Heptameron print.

The goggles will have protective lenses up front (or tinted ones in their place), and prescription lenses behind them. This, since I will not be able to put them over my glasses, and since I hate contacts… due to an incident where I tried for a day to peel one loose that had fused to my eye, only to find I was simply trying to peel away the impression the contact had left. No idea where the contact actually went, but I suspect that it floated up and lodged in my brain.

These aren’t finished yet, but if you want to see how they are coming together or how I am making them – offer some ideas or critiques, well you can always check out things I am working on via my Flickr feed.

So far, they are made from a brass pipe, a thick brass hinge pin, and two brass drawer pulls.

For the cup shape, I used a pattern found here, and for added decoration, I plan to use Von Slatt’s etching process shown here.

Tools used: Dremel, drill press, hack saw, pliers, clamps.

Strap Thingies

Goggles

I also thought I might add that, though I am not putting out any new art until these commissions are done, Beth has been working on some crafts from her art and mine, and has also put out some new artworks. You can find these things at our Etsy store, which is still running the big print sale because body bags cost money (continue to page 10), or because demolition and rehab of our anticipated living space needs funding (turn ahead to page 49).

Posted on

The Fantasy Art of Liz Amend

Liz, My brother’s wife, does some amazingly incredible sculpture, of the fantasy art variety. She also has an art book and tutorial book in the works.

Her sculptures often tend to sell at $200or more through Ebay Auctions, but now you can buy them at much lower prices, without all the bidding, through her site. Many of these figures will run as low as $50, including options for customizations in color, hair, clothing, poses, facial expressions, and the like.

Here are some images and brief snippets from her site:

Kiku, in a contemplative pose, has a bit of an Eastern influence in her style.

This fairy is visiting an old friend, the Moon.

Yes, this fairy boy is sticking his tongue out at you.